creative industries fund nl
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Grant Programme for Internationalization

Grant Programme for Internationalization

Closing dates:

5 February 2020
6 May 2020
23 September 2020

Annual budget 2020: € 750.000

The Creative Industries Fund NL uses the Grant Programme for Internationalization to support projects that provide a substantive contribution to the development, profiling and reinforcement of the contemporary creative industry's international position. There are three application rounds a year for this grant programme. The annual budget is equally distributed across the rounds.

Prioritization
The Internationalization grant programme is aligned with the objectives and conditions of the Dutch government's international cultural policy. A number of priority countries are named in this policy, and 75% of the grant programme's budget is available for these countries.
The remaining 25% of the budget is available for all other countries. The advisory process takes account of this prioritization.

The priority countries are Belgium/Flanders, Brazil, China, Germany, France, Indonesia, Italy, Japan, South Africa, South Korea, Suriname, Turkey, United Kingdom and United States.
Grants are awarded to support designers, makers, producers and commissioning clients in the creative industry. Organizations, curators and mediators may only apply for a grant if their contribution serves the promotion of Dutch designers and makers' international position.

You need to be registered as a company with the Chamber of Commerce (Kamer van Koophandel or its foreign equivalent) when you receive the subsidy.
The Grant Programme for Internationalization is for international projects that concern or where the anticipated result is:

• collaboration between Dutch partners
• collaboration with one or more foreign partners
• alignment with a concrete question or assignment abroad

The Grant Programme for Internationalization also has a starting grant that can be applied for (max. €7,500) to study a project's options.

The Creative Industries Fund NL has a shortened procedure for presentations at or participation in events abroad. Read more about the vouchers here.
A grant may be awarded to projects that contribute sufficiently to the grant programme's objective and focus on at least one of the following goals:

Reinforcing the international reputation of the contemporary creative industry in the Netherlands
Expanding the creative industry's field of operations
Creating and maintaining relevant international contacts between designers, makers, producers, commissioning clients and cultural institutions.

The evaluation of the proposals primarily focuses on the project's objective, structure, the expertise involved, the manner and extent of co-funding and the consistency between all these elements. The project should include a pre-process and post-process that consist, at the very least, of thorough preparation, an evaluation and feedback of the knowledge and experiences acquired to the target groups described in advance.
Guide
Refer to the Grant Application Guide (PDF) when submitting your application. The guide provides certainty with regard to the grant application and the drawing up of the project plan, budget and communication plan.

As part of its deliberations on submitted applications, the Fund may request information from Dutch embassies or diplomatic missions in the country in question, concerning, for instance, the relevance of the project and subject for this country, and the partners involved in the project application.

This information is sent to the Fund and is added to the application as preparation for the advisory committee. If required, the applicant may request this information from the Fund. When projects are awarded grants, the Fund notifies the cultural department of the Dutch embassies in the country in question.

Subsidy Regulations and the Grant Programme for Internationalization
The Creative Industries Fund NL has Subsidy Regulations (PDF) that formally apply to the application, evaluation, awarding and final approval of a grant. Supplementary grant programmes have been drawn up with specific objectives and conditions. Read the Subsidy Regulations (PDF) as well as the Grant Programme for Internationalization (PDF) attentively before submitting an application.

Online application environment
The application should be submitted using the online application environment. You have to sign up and create an account to do so. Please note: do so in a timely manner, it can take up to 1 working day for the Fund to validate the account and this is only done during the working week.

Questions?
You can submit your draft application or project plan to the staff member concerned up to a maximum of two weeks before the closing date for application. This can be done by e-mail or telephone. If you have other questions please refer to our FAQ first or contact the Creative Industries Fund NL.
Acceptance
After the submission of your application the Fund's office checks whether you comply with the formal requirements as listed in the Subsidy Regulations (PDF) and the Grant Programme for Internationalization (PDF).

Evaluation
An advisory committee will evaluate your request on the basis of the Subsidy Regulations (PDF) and the Grant Programme for Internationalization. In particular, it will assess the extent to which your application is aligned with the criteria listed in Article 16 - 21 of the Subsidy Regulations (PDF) and the grant programme's specific objectives (Article 1 of the Grant Programme for Internationalization (PDF)). If the positive decisions in a round of applications exceed the available budget, prioritization can be applied. The committee will issue a recommendation to the Creative Industries Fund NL's Board. View the composition of the advisory committee for the Internationalization Grant Programme here.

Decision
The board will take the recommendation into account in their decision to award the subsidy or not. You will be informed of the decision 10 weeks after the closing date for the grant programme at the latest.

Appeal
If you do not agree with the Creative Industries Fund NL's decision you can submit a reviewed application or letter of appeal. More information is provided here.

Accountability
If you receive a grant from the Creative Industries Fund NL you will enter into obligations. Please read important information on your accountability here. Two weeks before your project ends you will receive a request by e-mail to submit your accountability in the online application environment.
For further information please contact:
Zineb Seghrouchni
Anselm van Sintfiet
Yasmin Kursun
Roxanne Minten

You can also call +31 (0)10 4361600.

grants issued Internationalization

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Grant Programme for Internationalization

Pomace: Learning Circularity from Olive

Random Works, Zeytince Association/ The Olive Academy in Karaburun, 2019

€50.000
'Pomace: Learning Circularity from Olive' is a design study into circularity within the traditional unique practice of olive cultivation in the Karaburun region of Izmir. The team aims to raise awareness of circular design, to strengthen the link between urban and rural areas, and to draw global lessons from this intrinsically circular practice. The team from the Netherlands consists of architects Serdar Aşut and Friso Gouwetor, visual designer Melis Baloğlu and industrial designer Iris Jönsthövel. The local partners are: Zeytince Association/ The Olive Academy in Karaburun, Karaburun Municipality, Emre Gönlügür (Good Design Izmir), industrial designer Betül Hafizoğlu and documentary makers Yaman Umut Bilir and Işıkcan Barbaros.

After preliminary research, workshops with the local designers and a public symposium on circular design, the follow-up phase consists of material design experiments to explore the possible uses of olive pomace in different design disciplines. The material is currently used to produce energy by burning. However, the mechanical and chemical qualities of the material are promising to be used as raw material to produce different types of objects. The team conducts research and development on material design to this end and collaborate with local designers to develop new by-products through a sustainable and circular closed-loop system. In the meantime, the team will continue documenting the current and traditional means of olive cultivation and the circular qualities of the ongoing traditions through a documentary video, book and online platform. The results will be presented at Good Design Izmir and a Dutch event to be determined later.
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Grant Programme for Internationalization

What Do Landscapes Say? Speculating the Diversity of Landscapes and Identities

Nomaos, 2019

€50.000
Nomaos is a collective of six Russian and four Dutch makers and designers investigating the diversity of and relationships between landscapes and identities in Russia. The interdisciplinary team demonstrates a speculative artistic approach to the landscape as an alternative to the conventional exploitation-based approach.

In the start-up phase, the team performed preliminary research into the urban and societal challenges in Russia, and the participants made a plan for the creation of new work. In the follow-up phase, the participants will develop the work and will address the identity of a specific location in Russia, each in his/her own way. The participants and locations are: Ksenia Kopalova (Kizji island), Mascha Kremer (Vyborg), Nataly Lakhtina (Kizji island), Nikolay Nikolaev (Yakutsk), Polina Veidenback (Moscow region), Rachel Bacon (mines in Lomonosov or Mirny), Radha Smith (St. Petersburg), Vera Mennens (Curonian Spit National Park), Yue Mao (Vyborg and Moscow region) and Maria Malkova (Mirny). The result will comprise ten speculative narratives of the Russian landscape in different creative forms including installations, films, illustrations and creative writing. The team will compile the results in a publication, an exhibition, and through interactive events in collaboration with Strelka Magazine.
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Grant Programme for Internationalization

Identity in Typical

Daria Naugolnova, Alexey Boev, 2019

€50.000
Architects Alexey Boev and Daria Naugolnova are examining alternatives for the disappearance of the function of the many cultural palaces that were built during the Soviet era as a social-cultural facility for the neighbourhood. The team found that the palaces still in use today are only suitable for children and senior citizens. By adding new functions such as co-working spaces, studio space and space for educational programmes, the team sees an opportunity to reach out to a wider target group, to stimulate participation in culture and education, and to develop an economically viable model for these buildings.

In the start-up phase, the team investigated the history, potential and challenges posed by these palaces. The follow-up phase consists of developing a book and website, an exhibition and a prototype design. The book will show photographs of 140 different cultural palaces, complemented with study results and interviews with local residents. The team will also present the result in the form of an exhibition in the Moscow Design Museum or at the Union of Architects of Russia. Finally, the team will create a prototype design for the palace in Voronezh. Other partners in the project are various local youth centres, the Voronezh State Technical University, the culture department of the City of Voronezh and the Ural State University of Architecture and Art.
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Grant Programme for Internationalization

Taking Stock

Mariam Elnozahy, Elke Uitentuis, Wouter Osterholt, 2019

€50.000
In 'Taking Stock', the makers Wouter Osterholt and Elke Uitentuis (NL) and curator Mariam Elnozahy (EG) are facilitating the decentralisation process of the Town House Gallery in downtown Cairo. The effect of recent economic and political shifts in Cairo on this cultural institute is such that it can no longer continue in its current form. By distributing the materials (capital) among the local community and archiving these online, the teams seeks to critically reflect on the significance of the organisation for its direct environment and the cultural scene, but also on the transition that this organisation could undergo.

This plan is the result of interviews and a survey among local grassroots organisations and the members of Down Town Gallery. The activities consist of: further indexing of all objects, a three-month public 'transition manifestation' and the development of an online platform and archive. The public manifestation in the gallery will show the history of Town House Gallery and will function as a space to share stories and ideas. The team will organise small group sessions where visitors can indicate which materials and heritage of the Gallery they want to take care of. The team will present the results in the form of an online platform, with a launch event in Town House Gallery in Cairo and at Onomatopee in Eindhoven.
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Grant Programme for Internationalization

Papyrus and New Media

Abla el Bahrawy (Ba7R), 2019

€50.000
In ´Papyrus and New Media´, architect and researcher Abla el Bahrawy, Ba7R (EG/NL) is performing design research into the contemporary significance of papyrus for cultural identity in Egypt. The goal is to create more awareness of the value of this local material as a cultural product. Partners are: Megawra-Built Environment Collective (EG), Khatt Foundation (NL) and the Jan van Eyck Academie (NL).

In the start-up phase, El Bahrawy researched the story and the development of papyrus by means of interviews with the local community of Qamoos, Sharkeya and the Egyptian creative sector. She found, among other things, that especially women and children work in the papyrus industry and that this industry is strongly dependent on tourism. The next phase will consist of an experimental materials research and the development of an artistic design and graphic novel. El Bahrawy will organise three materials, drawing and printing technique workshops. Next, she will work with designer Engy Aly (EG), researcher Amr El Komy (EG) and the Charles Nypels Lab of the Jan van Eyck Academie to create artistic work in the form of 25 silk screen prints on papyrus. Additionally, she will develop a graphic novel in collaboration with a number of talented young illustrators: Aya Tarek, Andeel, Chef Makhloof & Migo Rollz, Mostafa Ahmed, Mohamed Salah and Nasser Junior. Khatt Foundation will publish this book in a first edition of 100 copies. The team will present the results at Megawra in Cairo and in the Netherlands.
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