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In retrospect: In No Particular Order 2017
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In retrospect: In No Particular Order 2017

30 October 2017

During Dutch Design Week 2017 (21 until 29 October), Stimuleringsfonds Creatieve Industrie presented for the fourth time an exhibition about Talent Development. In the Van Abbemuseum's Studio the fund received over 5,000 designprofessionals and other interested parties, reflecting on the design practices of designers, architects and artists who received the Talent Development grant last year.
Under the title ‘In No Particular Order’, nine installations made a collective portrait that offers reflection in practical, poetic and critical ways on the multiform contemporary working practices of a young generation of designers. For this edition the fund invited one of the participants of the Talent Development Programme as curator: Jules van den Langenberg. In studio exchanges and various meetings, he and the 32 designers and makers who received a Talent Development grant reflect on the themes: Attitude, Inspiration, Habitat, Representation, Money, Fortune, Language, Discourse and Market.
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Photo: Lonneke van der Palen

All of the 32 participating designers provided input with conceptual as well as physical contributions such as sketches, prototypes and sources of inspiration. Van den Langenberg then invited nine progressive thinkers and makers from the creative industry to produce an installation based on these collections.

Jules van den Langenberg: ‘Instead of showing completed projects or finished products by designers, in the cellar of the Van Abbe Museum we are showing another side of design practice. The exhibition explores the milieu of professional, personal and socio-cultural factors that young creative professionals experience today.’

participant designers and makers
Alissa + Nienke (Alissa van Asseldonk en Nienke Bongers), Amy Suo Wu, Isabelle Andriessen, Paula Arntzen, Atelier Frank Verkade, Marjan van Aubel, Christiaan Bakker, Mariska de Groot, Max Dovey, Ting Gong, Sophie Hardeman, Chrissie Houtkooper, Ruiter Janssen, Elisa van Joolen, Jules van den Langenberg, Yaolan Luo, Mark Minkjan, Simone C. Niquille, Kirstie van Noort, Simone Post, Roomforthoughts (Jennifer Kanary Nikolov(a)), Benjamin Sporken, Amir Avraham, Studio Iwan Pol, Studio RAP (Wessel van Beerendonk, Léon Spikker en Lucas ter Hall), Studio Truly Truly (Joel Booy en Kate Booy), PWR Studio, SulSolSal (Johannes Bernard en Guido Giglio), Thomas Trum, Janna Ullrich, Dieter Vandoren en Giuditta Vendrame.

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Photo: Hanneke Wetzer

The presentation shows by an anthropological approach beautifully what creative talents have in common and in which their individual choices differ from each other." - Joanna van der Zanden, independent curator and cultural advisor



living archive
The result of the joint work process, In No Particular Order 2017, showed what artistic and professional growth means, as experienced by the 32 designers and makers who received the Talent Development grant last year. As a 'living archive', the exhibition grew during the week: Studio Li Edelkoort - specialized in trend forecasting - studied in the Van Abbemuseum the portfolio's of 32 designers, analyzed their visual language and developed a moodboard for the future. Designer Jurgen Bey, director of the Sandberg Institute, organized discussions during the Dutch Design Week with the participants about the role of the designer. And all participants signed a contract for the collective Bitcoin pension fund created by artists Lernert & Sander on the occasion of the event, with the purpose of making a discussion about real fees for designers.

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Photo: Hanneke Wetzer

‘In No Particular Order turns upside-down the popular notion of talent as an innate, unevenly divided capacity. Instead, it foregrounds the way that talent is fostered and fomented through structural and social conditions, as well as revealing the financial mechanisms that determine the way in which what we call “talent” is supported on its path to fruition.’ - Tamar Shafrir, design researcher at Het Nieuwe Instituut



in conversation with
The fund received more than 5,000 professionals from the design field in the Studio of the Van Abbemuseum, including designers, policy makers, (international) museum curators, design journalists, teachers and programmers. A total of 230 students from various academies in the Netherlands were given a tour. Each morning a discussion took place between participants, experts and other invited guests on the themes of the exhibition. (Check out the programme here)

in the media
Glamcult wrote an article about In No Particular Order and interviewed participants Amy Suo Wu and Ting Gong about their work practice. Frameweb spoke to Simone Post, Marjan van Aubel, Studio Truly Truly and Paula Arntzen from the Talent Development program, in the context of the exhibition. Read the article here. VPRO made an item at the DDW in which former member of the Advisory Committee Afaina de Jong meets with participants Janna Ullrich and Ruiter Janssen.

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Photo: Hanneke Wetzer

Nine installations

In the following nine installations In No Particular Order presented a collective statement about contemporary design practice of a young generation of designers:

The Language of Talent

What is the socio-cultural context of the work produced by today’s talent? The Talent Development Grant recipients have all uploaded their existing portfolios of work to a private online forum developed by Marsdiep. For the duration of the exhibition, the material will be studied and integrated into a visual moodboard by an onsite trend forecasting team from Studio Edelkoort, generating a future-driven vision of the designers’ work.

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Photo: Hanneke Wetzer
The Inspiration of Talent

How does talent motivate itself? Based on books, quotes and extracts that influenced each of the Talent Development Grant recipients’ practice, an analysis of the nature of inspiration has been penned by design curator Brendan Cormier. Titled ‘A Text on Inspiration Inspired by 32 Texts’, the essay deliberately misappropriates random fragments from each text. Do take a copy to fan your thoughts at home.

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Photo: Lonneke van der Palen
The Representation of Talent

Can you tell if someone is talented by what they wear? Clothes communicate all manner of social and cultural codes. Each of the Talent Development Grant recipients contributed an item of clothing to be appropriated by fashion designer Duran Lantink. Using his anthropological approach to fashion, Lantink has produced three collective portraits of how today’s talent represents itself.

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Photo: Hanneke Wetzer
The Fortune of Talent

Where am I going? If you are looking for answers, you won’t find them here. The answer is in a fortune cookie at the museum café. The ideas and desires of the Talent Development Grant recipients have been rewritten as aspirational messages by designer Yuri Veerman. Himself an alumnus of the programme, Veerman interviewed each of the recipients.

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Photo: Hanneke Wetzer
The Money of Talent

Does talent translate into wealth and economic security? Creativity is predicted to take on renewed value in the era of machine learning, even if currently many of the Talent Development Grant recipients are still navigating precarious financial conditions. Opening a discussion on new futures and currencies, a collective Bitcoin retirement fund for the recipients has been drawn up by a lawyer on behalf of artists Lernert&Sander.

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Photo: Hanneke Wetzer
The Attitude of Talent

Does talent have a specific role and responsibility to society? Proposing a scenario in which the Talent Development Grant recipients would have to start a new society, each was asked to pack a single suitcase of things to bring. Director of the Sandberg Instituut, designer Jurgen Bey will be onsite every day to open a few of the suitcases and build a visual dictionary.

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Photo: Hanneke Wetzer
The Habitat of Talent

Does talent expand and contract according to the space it works in? The Talent Development Grant recipients were asked to submit descriptions and floor plans of their ideal workspace. Previous recipient of the grant, architect Anne Dessing, in collaboration with Loui Meeuwissen, displays an analysis of these contributions on a curtain. Recalling a construction drawing, the curtain’s folds connect drawings to form new hybrid spaces.

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Photo: Hanneke Wetzer
The Market of Talent

Can we quantify talent? The likely commercial success of each of the Talent Development Grant recipients has been assessed on the objective criteria of practicality for client, accessibility, size of market, medium, and artist profile. Prototypes from each recipient are arranged based on the ranking assigned by Herbert van Litsenburg of The Fine Art Group, an art investment consultancy.

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Photo: Lonneke van der Palen
The Discourse of Talent

How does talent reflect on its work and context? Design researcher and artistic director of Het Nieuwe Instituut, Tamar Shafrir and Guus Beumer, moderate daily discussions that take place on chairs from the Talent Development Grant recipients’ studios. Artist Simon Becks has developed a scratch-sensitive floor to record the evolution of the site of discussion over the course of the exhibition. At the end of each daily conversation, participants will construct an installation of the chairs that will be recorded by photographer Lonneke van der Palen. Daily a discussion program took place from 11.00-12.30.

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Photo: Lonneke van der Palen

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Selection Open Call Interior & Interdisciplinarity

29 November 2018

Expertise from various disciplines and the involvement of different users and participants in spatial design assignments will lead to designs that are accessible to a wide public. With this in mind, the Fund is supporting four projects for interiors. All four are based on an urgent issue and an interdisciplinary approach.
In response to our Open Call Interior & Interdisciplinarity, 23 applications were submitted. Advisers Aslı Çiçek, Lyndsey Housden and Theun Mosk selected proposals that all offer a different development of the inclusiveness theme by focusing on a specific spatial typology and that explore accessibility for specific target groups.

selection
‘Ademruimte’ (Breathing space) by Beer van Geer is a research project in which designers, architects and healthcare workers would like to develop a public space for calm, contemplation and silence. In ‘Spaces of Otherness’, Afaina de Jong uses theory and practice to look for an alternative architectural language for public spaces that does justice to cultural diversity, different identities and history. Siba Sahabi applies a multicultural approach to researching waiting areas in hospitals and improving the waiting experience. Finally, under the name ‘De-Market’, FUNC researches the market as a place for the daily activities of socially vulnerable people, an environment where they can get to know different crafts and people.

The selection of these four research projects has yielded the breadth and depth that the Fund was aiming for. Various disciplines within the creative industry are represented and steps are being taken towards solutions for urgent issues, devised from the perspective of the interior.

criteria
The proposals submitted were assessed against the criteria set out in the text of the open call. Selection took place on the basis of the degree of relevance and urgency of the assignment, the quality of the planned approach, including the expertise involved, the degree of innovation and the artistic quality of the work of the designers involved. The advisers also assessed the consistency of the project plans.

reason for the open call
The interior as a subject lies at the interface between the disciplines and grant programmes of Architecture and Design. In order to do greater justice to this subject and to assess the proposals within their own framework, the Open Call Interior & Interdisciplinarity is making funding available for exemplary research projects originating from an integral design approach to the interior. The aim is to stop considering interior as the last link in the process, but instead to stimulate design from the inside out.

reflection
Inclusiveness is a central theme in this call. This aspect has therefore been taken into account in the selection of proposals. When issuing the call, particular attention was paid to the breadth of the term ‘accessibility’, whereby the applicants themselves could give substance to the theme of inclusiveness. The proposals submitted demonstrate the broad scope of the subject and underline the fact that the interior is the scale at which the user or participant directly identifies with their environment. A number of proposals are explicitly aimed at designing a more inclusive living environment or designing for other target groups, where different conditions apply when developing a good interior. The selected proposals also represent this diversity in their approach to the topic; room is additionally provided for research into inclusion at a social, cultural and societal level.

to be continued in 2019
In view of the great interest in the subject before, during and after the open call deadline, and considering the great potential the advisors noted in many proposals, the Fund would like to issue the call again in the coming year. In the new version of the call, the opportunity will also be given to starting designers to develop themselves in initiating a research plan. So in addition to a research grant, a variant of a starting grant will be available in the next call for proposals. The Fund can utilize this call to focus on the professionalization process and the development of the talent base working in interior and spatial design. Keep an eye on our newsletter and website for updates.

Photo above: Siba Sahabi by Annemarijne Bax

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Open Call Turkey, Russia, Egypt, Morocco #2

27 November 2018

Creative Industries Fund NL is calling on designers, makers, curators and cultural organizations in the Netherlands to submit a plan for a project that deploys design for sustainable and inclusive societies. The open call invites cultural parties to join forces with a local partner to turn their minds to a topical issue, observation or development in Turkey, Russia, Egypt or Morocco. The project should entail an egalitarian collaboration between the parties.
The rapid growth of cities is a topic that is relevant in the four countries that the open call is focusing on, resulting in new relationships between street culture, identity and public space, as well as between the city and the countryside. The appropriation of the city by various parties – grassroots and top-down, public and private, established and emerging – takes a diversity of forms, in the physical as well as the virtual domain. Designers are being asked to put topical themes that relate to the city, its surroundings and users on the agenda, to question them or propose solutions. This calls for cross-disciplinary and context-sensitive collaborations at the interface of culture, new media, technology, craft, society and the new economy.

collaboration
The project team (of Dutch and local partners) adopts a standpoint concerning sustainable and inclusive societies within the theme that the project focuses on. The plan provides insight into how and why various stakeholders will be involved with the project. Projects can take a diversity of forms, from artistic, speculative or design-based research to the implementation of a pilot, intervention or campaign. The perspective of Turkish, Russian, Egyptian or Moroccan parties is crucial and should be embedded in the project.

focus
This is a follow-up to the first series of Open Calls focused on these four countries that the Fund issued previously. As a result of findings concerning the first series of open calls, the Fund is more emphatically seeking for projects that relate to disciplines in the fields of design and digital culture, as well as every possible crossover.

submissions
Projects can be submitted from 1 December 2018 to 21 January 2019 via Creative Industries Fund NL’s online application environment.

informative meet-up
Come to our meet-up on Thursday, 6 December at Het Nieuwe Instituut in Rotterdam. International speakers from the four countries will talk about their design practices and about relationships between street culture, identity, appropriation of public space, and new relationships between city and countryside. There is also the opportunity to ask the Fund’s staff any questions you may have about the open call. Register here.

more information
Find more information about the Open Call here.

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6 Dec: Meet-up Turkey, Russia, Egypt and Morocco

25 November 2018

Are you interested in undertaking a collaborative project in Turkey, Russia, Egypt or Morocco? Come to our meet-up on Thursday, 6 December at Het Nieuwe Instituut in Rotterdam. Within its Internationalization programme, Creative Industries Fund NL has issued a second open call for design projects to contribute to more inclusive cities and societies in these four countries. The purpose of the afternoon is to present information about the open call, gain insight into relevant themes, share experiences of working in these countries, and provide the opportunity to explore collaborative projects in these countries.
International speakers from the four countries will talk about their design practices and about relationships between street culture, identity, appropriation of public space, and new relationships between city and countryside. What do they think is needed for reciprocal cooperation in these contexts?

There is also the opportunity to ask the Fund’s staff any questions you may have about the open call.

Hassnae Bouazza will moderate a discussion with the following international guests:

Oleg Khadartsev and Zhanna Guzenko - Fridaymilk
Fridaymilk is an independent collective in Murmansk. Creative director Oleg and curator and journalist Zhanna are contributing to developments in culture and media around the Arctic Circle. They use media content, workshops and cultural events to generate attention for the concept of ‘cultural decentralization’. They bring together the experiences of culture in major cities and outlying areas. Fridaymilk showcases novel ideas, tells life stories and promotes the dialogue between artists, curators and young people about the current meaning of life in Russia’s far north.

Haytham Nawar and Bahia ShebabCairotronica Festival and teaching at American University, Cairo
Haytham is the founder of the Cairo Electronic and New Media Arts Festival, an international hub for digital culture in the Middle East. Bahia regards street art as a vehicle for discussing socially critical subjects in the streets of Cairo. She is researching the thousand ways that the word ‘no’ can be written in Arabic. Bahia is the first Arabic woman to receive the UNESCO-Sharjah Prize for Arab Culture.

Nagehan Kurali Alan - Design In Situ and the Nerdworking collective
Nagehan is a co-founder of Design In Situ, a design studio in Istanbul that combines interaction, animation and visual design. The studio has a passion for the creation of digital experiences and environments to tell unknown stories. In her work Nagehan concentrates on projections and interaction design in urban spaces.

Kenza Benbouchaib - Kulte Center for contemporary art and editions
Kenza Benbouchaib is a cultural operator and deputy director of Kulte Center for contemporary art and editions in Rabat. Kulte is an alternative cultural platform, with the mission to promote contemporary art through exhibitions, publications and artistic events. Her current practice examines the modalities and potentialities of curating to institute otherwise and explore new languages of collectivity.

Moderator Hassnae Bouazza is a journalist, columnist, translator and programme producer. In 2015 she received the Arouwad Award in Beirut for her work about the Arab world.
practical information

date: Thursday, 6 December
time: doors open at 13:00; 13:30 – 18:00, incl. drinks. Programme starts at 1.30pm
venue: Het Nieuwe Instituut, Museumpark 25, Rotterdam
language: English

registration
Registrations are closed.
Please e-mail any questions to Yasmin Kursun, the Fund’s Grants Officer for Internationalization.

open call
You can read more about the objectives, criteria and application procedure for the Open Call: Turkey, Russia, Egypt and Morocco #2 (deadline 21 January 2019). This is a follow-up to the initial series of Open Calls focused on these four countries, which Creative Industries Fund NL issued in early 2018.

Photo above: Khalid Amakran

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New online application environment in 2019

15 November 2018

The Fund is working on the renewal of the online application environment. The new ‘apply online’ will be live from 1 January 2019, and the environment will be open for new applications. Until then, the online application environment is only accessible for vouchers, the first round of design and for current open calls.
The launch of the new application environment has no impact on the applications for vouchers and open calls. These can be done in the current environment. The next round of the Grant Programme for Design, which closes on 23 January, will also still be open in the current environment. During the application period we will switch to the new system. Applications that have already been submitted will not be lost when switching to the new application environment.

preparation
The next round of the Grant Programmes for Architecture, Digital Culture and Internationalization will be opened in the new application environment only. The closing date for this round is 6 February. Applications for these grant programmes can of course be prepared already. This means that you can already get to work on drawing up the project plan. To do this, read the Grant Application Guide (PDF) which explains how to draw up a project plan, presentation and communication plan, and budget. Explore the Subsidy Regulations (PDF) and the official text of the grant programme for which you wish to submit an application. This can be found under the tab ‘preparing the application’ for each programme on the website.

Compared to the current system, the new online application environment is simpler to use. Procedures remain virtually the same and all the functionality of the current application system has been retained. We will keep you informed of any changes to your login details.
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Open Call Space for Talent

30 October 2018

The Creative Industries Fund NL invites architects, designers and makers to submit a proposal for research, an experiment or development of new knowledge within a practical environment, such as a lab, development site or workplace. With this call, the Fund aims to enable designers to create an environment together with a partner, where joint experimentation, the establishment of new relationships and the sharing of knowledge are central.
This open call has ended.

set-up of the call
The Creative Industries Fund NL is making € 200,000 available for this open call. The maximum contribution per project is € 25,000. The conditions for support are that there is a new collaboration between a maker and a partner that is able to facilitate a practical environment. Depending on the project, the collaborations can vary in form. Examples are research (including material research) within a lab, a residency programme at a knowledge institute, a special collaboration with a development site or experimental research with a partner from the business community.

The subsidy is divided into two parts: € 15,000 is reserved for the maker and € 10,000 for the partner’s facilities and knowledge. The amounts are granted under the conditions of a collaboration agreement that must be submitted no later than 4 weeks after the grant has been awarded. A format for the agreement follows after awarding.

Conditions for eligibility for a contribution are:
- the designer/maker/architect has Dutch nationality or a practice registered in the Netherlands;
- the partner is based in the Netherlands;
- a rationale from the designer that provides insight into the relationship between the partner and the maker, and the added value of the project for the maker’s development;
- motivation for the project, provided by the partner, that provides insight into the relationship between the partner and the maker and the added value of the project for the partner. It also describes the duration and nature of the working period, the facilities, the knowledge and working environment being offered by the partner, the method of collaboration and the intended result;
- there is no question of a regular commissioning relationship between the parties; and
- a form of knowledge-sharing relevant to the project is included at the end of the project.

submission
The application can be submitted until Wednesday 28 November 2018 at the latest.

Read more information to supply here.
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newonlineapplicationenvironment.png
The Fund is working on the renewal of the online application environment. The new ‘apply online’ will be live from 1 January 2019, and the environment will be open for new applications. Until then... more >
studiosibasahabiweb.jpg
Expertise from various disciplines and the involvement of different users and participants in spatial design assignments will lead to designs that are accessible to a wide public. With this in mind, t... more >
opencalltturkijeruslandegyptemarokkoen.png
Creative Industries Fund NL is calling on designers, makers, curators and cultural organizations in the Netherlands to submit a plan for a project that deploys design for sustainable and inclusive soc... more >
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