'24 uur in een vluchtelingenkamp' (24 hours in a refugee camp) is a transmedia project by Martijn van Tol, Dirk Jan Visser and Jan Rothuizen in collaboration with de Volkskrant. The project charts the lives of people who have sought shelter in Domitz, a Syrian camp in northern Iraq. Rather than depicting the refugees as victims, the makers of this interactive production want to highlight everyday life in the camp. The stories are visualized by Jan Rothuizen and Aart Jan van der Linden.

'Behind the Blue Screen' by Ruben Pater and Jaap van Heusden is a video app that conceals the face of a person who wishes to remain anonymous. In a series of sixteen video episodes published on the website of De Correspondent, people tell personal stories through an unpolished interface. The project is an outcome of the masterclass series [email protected]

Familie Film & TV has received a development subsidy for a project entitled 'Ook al ben ik zwart als roet' (Even though I'm black as soot), which it is producing with Sunny Bergman, (Beperkt houdbaar, Sletvrees) and IJsfontein. 'Ook al ben ik zwart als roet' is a transmedia project that examines insidious forms of racism and so-called 'white privilege'. More than a television documentary, it uses various (online) platforms and a game to highlight and discuss privileges and unconscious prejudices regarding skin colour. The annual discussion concerning the folklore figure known as Zwarte Piet formed the immediate inspiration for this project.

Love Radio is a transmedia project about the reconciliation process and the way people are coping with the genocide in Rwanda. In April 2014, it has been exactly 20 years since the killings of Tutsis and moderate Hutus took place, leaving more than 500,000 people dead in 100 days. The project consists of an online, interactive documentary and an exhibition in FOAM. In both cases, the makers address the fine line between the (imposed) reconciliation and the underlying tensions. Central to the project is the radio soap Musekeweya (New Dawn), a very popular Rwandan soap that aims to bring the different communities closer together. The very medium that was used to summon Hutus to murder their Tutsi neighbours 20 years ago is now used for this dramatized peace message. Though happy endings dominate the soap, real time reconciliation is proving difficult. Love Radio follows the soap's writers, actors and listeners: Hutus and Tutsis who each carry their own memories. The premise of the documentary is that there is no such thing as 'the truth'. There is room for different perspectives. The main characters, perpetrators and victims tell the story from every angle. The transmedia experience includes excerpts from Musekeweya and radio clips from 20 years ago. The production team is made up of photographer Anoek Steketee and filmmaker/journalist Eefje Blankevoort. Sara Kolster is supervising the online process and Kummer & Herrman are responsible for the design.

Verticalcitizens.com follows the first inhabitants and users of Koolhaas's new building De Rotterdam online, showing how a new community slowly gathers and gains momentum – or, if things go badly, crumbles and falls. Verticalcitizens.com is a transmedia project: the site interacts with the documentary film Verticale Stedelingen. Verticalcitizens.com will follow the developments in De Rotterdam for at least two years after its occupation. The project depicts the building as an organism, with data functioning as a heart monitor, supported by photography and audio functioning as ECGs and a thermometer. This application includes the development of the site and the transmedia architecture of plot lines.