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Selection Open Calls Internationalization: Turkey, Russia, Egypt and Morocco #1
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Selection Open Calls Internationalization: Turkey, Russia, Egypt and Morocco #1

4 May 2018

Last December, the Fund issued four different open calls where Dutch designers and cultural organizations were invited to submit a project plan for a project, intervention or process that deploys design for sustainable and inclusive urbanization in Turkey, Morocco, Egypt or Russia. An interdisciplinary committee with expertise in the countries concerned made a selection from 56 proposals.
The 16 selected projects offer opportunities that include improving living conditions and social cohesion, working together with different target groups, utilizing technology for social innovation and exploring new meanings of cultural heritage. This selection provides an initial impulse for setting up and reinforcing collaborations between makers in the four countries and the Netherlands. Where knowledge is developed and shared for the challenges associated with urbanization.

The number of submissions for this first series of open calls was high and almost evenly distributed over the four countries, with Russia standing out with 20 applications. There were also 13 applications for Morocco, 12 for Egypt and 11 for Turkey. Per country, 4 projects were selected for the first phase, with the option for submitting a follow-up application for the second phase.

The following stood out in the submissions per country:
Turkey

The submissions for Turkey related to both large and small cities, instead of a mono-focus on Istanbul. This distribution of projects over the country makes the proposals interesting and sometimes surprising. A total of 11 applications is a modest harvest of entries, considering the long-standing relationships between the Netherlands and Turkey in the cultural sphere, and the challenges associated with urbanization in Turkey. One possible explanation is that the aim is to achieve collaborations with the local authorities and that is particularly challenging. The composition of the teams and expertise turned out to match only in varying degrees the themes and objectives of the projects, on both the Dutch and Turkish sides. The balance in reciprocity, the relevance of the issue and the approach was good in the selected projects. How collaboration and reciprocity are to be safeguarded and organized in the subsequent course of the projects requires further development for the second phase. The partnerships were the deciding factor for the selection of projects in Turkey.

selected projects Turkey:
Lüleburgaz Bisiklette Biniyor, cycling for a better city
Artgineering/ Novusens/ Sustainable Solutions
Toroslar Interactive CityLab
Ekim Tan, Play the City
Turkish and Dutch Farming Practices
IND International
Izmir Metabolic Cycling Network (IMCN)
Fabrications

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Izmir Metabolic Cycling Network (MCN), FABRICations and WRI Turkey
Russia

Geographically, the applications were very widespread, from Moscow to Siberia and even Svobodny, towards the borders with China and Japan. This is an interesting and positive yield. The level and quality of the applications varied significantly in the 20 submissions for the open call Russia. Several applications focused on ‘mono-towns’. This is the phenomenon of mono-functional cities that in their development – composition of services, economy and inhabitants – specifically focus on a particular industry. In terms of themes, these applications were similar to each other. The differences in approach and method therefore weighed more heavily. Many applications were focused on improving or developing the public space – a development that has recently been utilized in Russian cities. Only a few applications had a distinctive approach to this. One of the reasons for this could be that the same Russian partner, an important player in the development of public space, was often included in the project teams. On the whole, it was noticeable that 2 to 3 Russian partners were frequently mentioned in the applications. A few projects had an extremely good approach with regard to accessing local partners, particularly users, which is one of the greatest challenges in Russia in the area of spatial issues. In general, something that stood out in the budgets was that the hourly rates in Russia are lower in comparison with the rates in the Netherlands. This is a realistic representation and, according to the advisers, it is all the more important to be clear about how the reciprocity has been organized in the collaborative relationship. The approach chosen was decisive when selecting the projects in Russia.

selected projects Russia:
Prototyping Future Energy with HSE
Yin Aiwen
LL Tomsk One - Living Laboratory
LEVS Architecten
The 'Samarsky Yard' - Housing Heritage in the Post-Socialist City
Schiemann Weyers
New Urban Media Centre in Yekaterinburg
SVESMI Holding

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New Urban Media Centre in Yekaterinburg, SVESMI HOLDING BV
Egypt

The submissions for Egypt varied in their approach and the issue chosen. Many projects focused on Cairo, despite the fact that Egypt is a large country. It is, after all, the city where many things are centralized, including art and culture. Cairo is certainly the perfect place to start working in Egypt and to build up relationships from there. The strongest applications were to be found on the interface between art, culture and heritage. They are small in terms of set-up and implementation, but great in potential impact and for knowledge development and sharing. There are still opportunities and scope for small-scale projects in Egypt. Large-scale, urban design projects require collaboration with the authorities at national or local level and that is extremely difficult, perhaps even unrealistic, considering the time frame of the projects. However, the committee noted that heritage as a main theme was conspicuously absent in the applications. This is however a very relevant topic in the Egyptian context, for both material and immaterial heritage. A positive aspect is that a few projects made this connection and took up a position towards approaching heritage from a designer's perspective. It was noticeable that one particular local partner appeared several times in different applications. Building up relationships between various Dutch and Egyptian parties appears to be necessary. On the Dutch side, the main applicant or other parties involved appeared to be less well-matched with the theme or approach. From the applications, it emerged that the necessary cultural sensitivity (from the Dutch perspective) of the social context was not always present. This is crucial when working together on the basis of reciprocity. Deciding factors for the selection of projects in Egypt were the relevance of the themes and the partnerships entered into for the purpose.

selected projects Egypt:
Grounded Urban Practices
Non Fiction & Cluster
Darb el Labana Lab
Bureau LADA & LALA Studio
Hope for Embaba
MAATworks
Connecting Deltas
Shift Works

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Darb el Labana Lab, Bureau LADA and LALA Studio
Morocco

Inspiring approaches to themes and collaborations – ranging from establishment to grassroots – characterized the applications focused on Morocco. There was a good geographical spread: Meknes, Casablanca, Rabat, Tanger in the north and Tiznit in the south. Remarkably enough, no projects focused on Marrakech. In terms of themes, various projects differed significantly in their degree of development. A few projects resembled ‘classic’ architectural projects that lay close to project development. In addition, the social or cultural significance and aim of the project were not always very clear. A balanced distribution of the budgets between the Dutch and Moroccan parties was not the case in all of the applications. In many projects, the requested amount for the first phase was intended in its entirety for the Dutch party, without clear insight into the contribution from the Moroccan side. Either in kind or financially. How the reciprocity is organized in the collaboration was already described in some project proposals, but attention is required for further development. In a number of applications, a Dutch team member with Moroccan roots is involved. The Moroccan diaspora is a valuable connection in building relationships and understanding between the Netherlands and Morocco, but also in creating together and sharing knowledge. Deciding factors for the selection of projects in Morocco were the approach to the collaboration and the type of projects (study + pilot).

selected projects Morocco:
Affordable Housing Casablanca
Bureau SLA
PLAY CITY
Network of Research & Architecture BV and MB Paysage
Learning from Tiznit
Slow Research Lab
Sahrij
Sara Frikech

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PLAYCITY, Network of Research and Architecture BV & MB Paysage
Composition of the committee

Every open call specifically focused on one of the four countries, but they are all part of a single programme. For this reason the choice was made to put together a special committee, which includes experts per country, who are working in one of the fields of the creative industry and are able to think in an interdisciplinary way. The members of the committee are:

Committee chair: Saskia Ruijsink – senior expert Urban Policy and Planning Institute for Housing and urban development studies (IHS).
Advisor Egypt: Nat Muller – curator, writer and art critic specialized in the Arab world.
Advisor Morocco: Hicham Khalidi – curator Rotterdam Triennale 2020, Lafayette Anticipations - Fondation d'entreprise Galerie Lafayette in Paris, former guest curator Marrakech Biennale.
Advisor Russia: Eva Radionova – landscape architect bureau Novascape, curator and project leader Russian-Dutch projects, guest lecturer at the Academy of Architecture Amsterdam.
Advisor Turkey: Aslı Çiçek – architect and guest professor KU Leuven, works in Brussels and Istanbul.
Generalist advisor: Paula Zijp – project funding coordinator at Triodos Foundation, MSc Cultural Anthropology (Sociocultural Transformation).

background

The Creative Industries Fund NL is conducting a four-year programme within the policy framework of the International Culture Policy 2017-2020 (objective 2) with funding from the Ministry of Foreign Affairs, entitled ‘Sustainable and inclusive cities through design’. Central to the programme is the role and deployment of design and design thinking to question and provide solutions for rapid urbanization and the corresponding social themes. Cross-disciplinary working with relevant stakeholders in Turkey is encouraged, both within and beyond the design disciplines, where it revolves around providing opportunities for collaboration between Turkey and the Netherlands on an equal footing and strengthening the trust and understanding between the two countries.

Photo above: Grounded Urban Practices, Non Fiction and Cluster

more news

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Open Call Space for Talent

30 October 2018

The Creative Industries Fund NL invites architects, designers and makers to submit a proposal for research, an experiment or development of new knowledge within a practical environment, such as a lab, development site or workplace. With this call, the Fund aims to enable designers to create an environment together with a partner, where joint experimentation, the establishment of new relationships and the sharing of knowledge are central.
set-up of the call
The Creative Industries Fund NL is making € 200,000 available for this open call. The maximum contribution per project is € 25,000. The conditions for support are that there is a new collaboration between a maker and a partner that is able to facilitate a practical environment. Depending on the project, the collaborations can vary in form. Examples are research (including material research) within a lab, a residency programme at a knowledge institute, a special collaboration with a development site or experimental research with a partner from the business community.

The subsidy is divided into two parts: € 15,000 is reserved for the maker and € 10,000 for the partner’s facilities and knowledge. The amounts are granted under the conditions of a collaboration agreement that must be submitted no later than 4 weeks after the grant has been awarded. A format for the agreement follows after awarding.

Conditions for eligibility for a contribution are:
- the designer/maker/architect has Dutch nationality or a practice registered in the Netherlands;
- the partner is based in the Netherlands;
- a rationale from the designer that provides insight into the relationship between the partner and the maker, and the added value of the project for the maker’s development;
- motivation for the project, provided by the partner, that provides insight into the relationship between the partner and the maker and the added value of the project for the partner. It also describes the duration and nature of the working period, the facilities, the knowledge and working environment being offered by the partner, the method of collaboration and the intended result;
- there is no question of a regular commissioning relationship between the parties; and
- a form of knowledge-sharing relevant to the project is included at the end of the project.

submission
The application can be submitted until Wednesday 28 November 2018 at the latest.

Read more information to supply here.
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9 nov: Get a Grant Utrecht

26 October 2018

Want to know how to get your project or practice funded? The Creative Industries Fund NL and the Mondriaan Fund will jointly organize meetings about grant possibilities, aimed at creative professionals and graduates. Join the next Get a Grant Event on Friday 9 November at the HKU (Hogeschool voor de Kunsten Utrecht).
The Get a Grant Event gives you insight in what the Creative Industries Fund NL and the Mondriaan Fund as Dutch public funds have to offer. Learn the how to’s from a visual artist and a designer on how they got their grant. And join the informal get together with drinks afterwards where you can ask your specific questions at staff from the Creative Industries Fund NL and the Mondriaan Fund.

Creative Industries Fund NL is the cultural fund for architecture, design, digital culture and every imaginable crossover. In addition to project subsidies from the various grants such as Design and Digital culture, the fund also makes an annual scholarship available for around 25 talented young designers / creators for their artistic and professional development.

The Mondriaan Fund is the public fund for visual art and cultural heritage in the Netherlands. It enables plans, projects and programmes of artists, exhibition makers and critics, museums and other art and heritage institutions, and publishers and commissioners.

Moderator: Imke Ruigrok (freelance curator and programme manager)
Speakers: Guy Vording (artist), Daniel de Bruin (designer) and staff of both funds
Fund employees: Carmen Muskee (Mondriaan Fonds) en Joris van Ballegooijen (Stimuleringsfonds Creatieve Industrie)

Date: Friday 9 November 2018
Time: 1.30pm – 3.45pm (doors open at 1.30pm, programme 1.45pm – 3.15pm, afterwards possibilty to talk to speakers indivually)
Location: HKU, Rotsoord 3, Utrecht
Admission: free
RSVP: via this form
Main language: English
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Open Call Turkey, Russia, Egypt, Morocco #2

19 October 2018

Creative Industries Fund NL is calling on designers, makers, curators and cultural organizations in the Netherlands to submit a plan for a project that deploys design for sustainable and inclusive societies. The open call invites cultural parties to join forces with a local partner to turn their minds to a topical issue, observation or development in Turkey, Russia, Egypt or Morocco. The project should entail an egalitarian collaboration between the parties.
The rapid growth of cities is a topic that is relevant in the four countries that the open call is focusing on, resulting in new relationships between street culture, identity and public space, as well as between the city and the countryside. The appropriation of the city by various parties – grassroots and top-down, public and private, established and emerging – takes a diversity of forms, in the physical as well as the virtual domain. Designers are being asked to put topical themes that relate to the city, its surroundings and users on the agenda, to question them or propose solutions. This calls for cross-disciplinary and context-sensitive collaborations at the interface of culture, new media, technology, craft, society and the new economy.

collaboration
The project team (of Dutch and local partners) adopts a standpoint concerning sustainable and inclusive societies within the theme that the project focuses on. The plan provides insight into how and why various stakeholders will be involved with the project. Projects can take a diversity of forms, from artistic, speculative or design-based research to the implementation of a pilot, intervention or campaign. The perspective of Turkish, Russian, Egyptian or Moroccan parties is crucial and should be embedded in the project.

focus
This is a follow-up to the first series of Open Calls focused on these four countries that the Fund issued previously. As a result of findings concerning the first series of open calls, the Fund is more emphatically seeking for projects that relate to disciplines in the fields of design and digital culture, as well as every possible crossover.

submissions
Projects can be submitted from 1 December 2018 to 21 January 2019 via Creative Industries Fund NL’s online application environment.

more information
Find more information about the Open Call here.
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Open Call Salone del Mobile 2019

17 October 2018

The Salone del Mobile in Milan is the place to be for product and furniture designers to present themselves internationally. The fair and all the surrounding presentations in the city attract many professionals from the international design world every year, in search of the latest developments in the field.
The Creative Industries Fund NL calls on Dutch designers to submit a proposal for a presentation in Milan during the ‘Salone del Mobile 2019’. This call is the only way to receive a grant from the Fund to participate in this event.
By issuing this call, the Fund aims to present the excellent quality of the Dutch design sector in Milan and to strengthen the international reputation of the Dutch creative industry. In addition, the purpose of the support is to share the knowledge and experience gained and to build and maintain relevant international relationships between parties. The Fund makes a selection of proposals where the presentation distinguishes itself in terms of artistic quality, presentation form and strategy.

It is possible to apply for an individual presentation, but preference in this open call is given to proposals where special forms of collaboration are entered into or which focus on a group presentation.

submission
The proposal can be submitted until Wednesday 21 November at the latest.

Read more information how to supply here.
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New! Talent Platform

15 October 2018

Looking for new design talent? During the Dutch Design Week, the Stimuleringsfonds Creatieve Industrie presents the Talent Platform, a new online database for the best design talent of the moment. In 24 one-minute film portraits you will meet the new generation of designers and creators who were supported in 2018 by a Talent Development grant. The platform grows annually with the arrival of a new generation of designers.
With the Talent Platform, the Creative Industries Fund NL aims to provide an extra boost to the visibility of emerging design talent. The platform showcases the individual practices of all the talented creatives who have received support since 2013. This makes it a source of information for other makers and clients.

presentation Dutch Design Week
Meet the practice of these promising design talents in the Veem building and follow the developments online via stimuleringsfonds.nl/talentplatform after Dutch Design Week.

participating designers and makers Dutch Design Week
Alice Wong (information design/transmedia); Anne Geenen (architecture); Camiel Fortgens (fashion); Carlijn Kingma (architecture/ illustration); Chen Jhen (grafic design); Daniel de Bruin (digital culture/product design); Frank Kolkman (digital culture); Isabel Mager (digitale culture); Jason Hansma (digitale culture/transmedia); Joana Chicau (digitale culture/performance); Jos Klarenbeek (digitale culture); Julia Janssen (digitale culture); Karim Adduchi (fashion); Koos Breen (grafic design); Lilian van Daal (product design); Manon van Hoeckel (social design); Márk Redele (architecture/interdisciplinair); New State of Matter (Gaspard Bos) (digitale culture/industrial design); Studio Reus (Jonathan Reus) (digitale culture/sound); Suzanne Oude Hengel (productdesign/textile); Tenant of Culture (Hendrickje Schimmel) (fashion/interdisciplinair); TeYosh (Sofija Stanković & Teodora Stanković) (digitale culture); Willem van Doorn (product design); Yamuna Forzani (fashion)

Date: 20 - 28 October 2018
Time: daily from 11am until 6pm
Entrance: entrance with DDW passe partout
Location: Veemgebouw | Floor 2, Torenallee 36, 5554 CC, Eindhoven

Video: Studio Moniker
Design: Studio van Onna

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opencalltturkijeruslandegyptemarokkoen.png
Creative Industries Fund NL is calling on designers, makers, curators and cultural organizations in the Netherlands to submit a plan for a project that deploys design for sustainable and inclusive soc... more >
opencallsalone2019.png
The Salone del Mobile in Milan is the place to be for product and furniture designers to present themselves internationally. The fair and all the surrounding presentations in the city attract many pro... more >
opencallspacefortalent.png
The Creative Industries Fund NL invites architects, designers and makers to submit a proposal for research, an experiment or development of new knowledge within a practical environment, such as a lab,... more >
4197mongetagrantroze.gif
Want to know how to get your project or practice funded? The Creative Industries Fund NL and the Mondriaan Fund will jointly organize meetings about grant possibilities, aimed at creative professional... more >
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