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Selected projects from the Open Call: Urban planning for extremes
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Selected projects from the Open Call: Urban planning for extremes

15 June 2017

If nothing changes then cities will be faced with flooding several times a year because of extreme precipitation alternating with longer periods of extreme dryness and heat. Mobilizing the power of design and connecting the climate adaptation issue with cultural heritage structures provides a means of facilitating the development of surprising new insights and trains of thought. In March 2017 the Fund called on designers, local governments, cultural historians, executive parties and engineers to submit concrete proposals. Four proposals were selected.
With the Open Call: Urban planning for extremes (in Dutch only) the Fund invited the submission of concrete proposals for an integral approach to the climate issue in relation to the sustainable development of existing cultural heritage structures in urban contexts. The involvement of an inquiring or commissioning party such as a municipal or provincial council, land developer or water board was a requirement. This open call attracted 13 project proposals.

evaluation and selection
The submitted proposals were presented to three advisers for their expert advice: Daan Zandbelt (architect / urban planner, Government Adviser for the Physical Environment (CRa), partner in De Zwarte Hond, associated with Van Eesteren Chair for Regional Design at TU Delft), Hanneke Kijne (landscape architect, partner in bureau HOSPER, coordinator for Professional Experience Programme (PEP), member of the City of Utrecht’s Committee for Aesthetic Control and Monuments) and Ellen Vreenegoor (archaeologist, VER programme director for Water and Heritage at the RCE). They evaluated the proposals with regard to formulation of the assignment, action plan, the pool of expertise involved and overall coherence. After two rounds of evaluation the panel arrived at a shortlist of four proposals that it preferred above the other submissions:

Resilient Weert
Personal Architecture, NOHNIK, historian Lara Voerman and Weert Municipal Council
Cultural heritage as a vehicle for an attractive climate-adaptive city
Arconiko architects, Designlab 2902, Water Sensitive Rotterdam, historian Hilde Sennema, Vereniging RCD, the Hoogheemraadschap Rijnland district water control board and Rotterdam City Council
The Island of Dordrecht: transformation of regional water defences into an adaptation landscape
Felixx, UNESCO-IHE and Dordrecht City Council
The inner perimeter canal as a climate-adaptive vehicle for the historical city centre
OKRA, Alterra, WUR, Stichting in Arcadië, Climate KIC and Utrecht City Council

All four of the selected proposals proceed from an area-focused approach to heritage, with the underlying culture-historical structures, visible qualities and valuable local identities serving as the basis for developing relevant solutions for urban climate-adaptation tasks. They are aimed at diverse spatial typologies and scales. Weerbaar Weert (Resilient Weert) is an investigation into climate-adaptive interventions to give a qualitative impulse to the city centre, while Arconiko architects wants to devise a climate adaptation strategy for a metropolitan location in central Rotterdam based on pre-existing structural layers in conjunction with partners. The Island of Dordrecht is a proposal for a spatial development strategy for a newly enlivened adaptation landscape, which involves secondary regional water defences being imbued with fresh significance. Proceeding from a Utrecht case study, the fourth project focuses on the singel – the perimeter canal around the old city – as a climate-adaptive vehicle for historical city centres.

overall impression
The advisers thought that the formulated assignment in the triangle of heritage, climate and city was highly relevant and interesting, as public-sector commissioners devote relatively little attention to it. By and large they were positive about the quality and diversity of the submitted proposals. With cases in Limburg, Utrecht, North and South Holland these were very diverse in their set-up, and municipal and provincial councils, water boards and other stakeholders such as knowledge institutions were in general well-integrated or actually involved with the proposals as authors.

the next Open Call
A second open call within this theme will be issued in the autumn of 2017. Keep an eye on Creative Industries Fund NL’s website or subscribe to the newsletter.

Heritage and Spatial Planning Programme
In March 2017, Creative Industries Fund NL launched the new Heritage and Spatial Planning Programme, which it will be implementing over two years in association with the Cultural Heritage Agency of the Netherlands (Rijksdienst voor het Cultureel Erfgoed or RCE) in the context of the Vision for Heritage and Spatial Planning Erfgoed en Ruimte or VER) (in Dutch only). This design programme interconnects urgent social issues and topical questions in the realm of heritage and space. Pivotal to this is a region-specific approach to heritage. Within this programme, two open calls were issued simultaneously. The Open Call: New Energy for the Landscape (in Dutch only) concentrated on the theme of energy transition in the landscape, while the Open Call: Urban Planning for Extremes (in Dutch only) focused on adapting to climate change in the city.

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Four Open Calls Internationalization

14 December 2017

By means of four different open calls, the Creative Industries Fund NL calls on Dutch designers and cultural organizations to submit a project plan for a project, intervention or process that deploys design for sustainable and inclusive urbanization in Turkey, Morocco, Egypt or Russia. The plan describes an urbanization question that is related to a social issue, in a specific city or region in one of the four countries, where Dutch and local parties work together on an equal footing.
Until the end of 2020, the Fund will be holding a number of open calls that focus on challenges associated with urbanization in Turkey, Morocco, Egypt or Russia. The projects will deal with how these challenges, in a collaboration between local and Dutch partners, can be addressed in order to achieve more sustainable, inclusive and smart cities. The question of urbanization provides opportunities for improving living conditions, housing, social cohesion and the utilization of technology for social innovation and for redefining cultural heritage. There are possibilities here for the exchange of knowledge and expertise between Dutch designers and cultural organizations that have local partners.

submission
The project plan can be submitted from January 1st until 7 March 2018 via the Creative Industries Fund NL's online application environment.

Find more information about these Open Calls here:
Open Call Turkey #1
Open Call Morocco #1
Open Call Egypt #1
Open Call Russia #1
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Results Open Call Venice Architecture Biennale

14 December 2017

This fall Het Nieuwe Instituut and Creative Industries Fund NL launched the Open Call Venice Architecture Biennale #1_extended program Dutch Pavilion. The Open Call invited researchers and designers in the field of architecture to submit projects for the extended program of the Dutch Pavilion at the Venice Architecture Biennale in 2018, in response to the theme WORK, BODY, LEISURE, commissioned by Het Nieuwe Instituut. The committee awarded five proposals.
A total of 52 eligible proposals were received from 12 countries: Austria, Canada, France, Germany, Greece, Italy, The Netherlands, Russia, Spain, Sweden, United Kingdom and the United States.

The proposals were reviewed by external advisors Willem Schinkel (Professor in Social Theory, Erasmus University), Lara Schrijver (Professor in Architecture, University of Antwerp) and Aslı Çiçek (Interior Architect, KU Leuven Faculty of Architecture, Oase).

Overall, the external advisors were impressed by the quality, relevance and creativity of the projects, as well as the expertise and ambition of the applicants. The set of applications showed a variety of working methodologies and media, ranging from mobile installations, performances, and product designs, to physical models, workshops, and films. Most projects articulated a collective ambition and proposed collaborations with networks of institutions and practitioners.

The selected projects provide a unique focus on one or more of the embodied, ethical, and spatial dimensions of labor, by deploying diverse but complementary strategies and tools for public engagement. In conversation with the curator of Het Nieuwe Instituut, Marina Otero Verzier, these five selected projects will be presented as part of the public program, in Venice and other locations:

The Port and the Fall of Icarus
Northscapes (Hamed Koshravi, Taneha K. Bacchin, Filippo laFleur)
The Northscapes' proposal would take the discovered manuscript titled “The Port and the Fall of Icarus” as the point of departure to search for possible scenarios for the future of the Rotterdam Harbour. An installation would set the ground for series of events and discussions around the topic of a smart and intelligent port and its relation to the vision of the Rotterdam Harbour, the city and its inhabitants. Such events will be organized throughout the period of the biennale in collaboration with the academic institutions.
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The Fall of Icarus, 17th century, Musée Antoine Vivenel

The Institute of Patent Infringement
Matthew Stewart and Jane Chew
The satirical Institute of Patent Infringement (IoPI) aims to dissect the dubious world of intellectual property rights that allows ‘Big Tech’ a monopoly on ideas concerning automation. Taking Amazon as a leading example, IoPI will detail and organise the thousands of patents they’ve filed since 2010, ranging in scale from the body to the 1km2 fulfilment centre. IoPI will initiate an open call to subvert these patents exhibiting the results as part of the Dutch Pavillion’s theme, WORK, BODY, LEISURE.

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Reimagined patent for the collective ownership of data and housing based around a multi-storey data centre unit. Image: Jane Chew & Matthew Stewart, 2017

Songs for Hard Working People
Noam Toran
Songs for Hard Working People proposes a program of musical concerts and performances taking place in and around the Dutch Pavilion during the biennale period. The program provides a historical mooring to the pavilion’s theme and to the nature of labor in the 21st century, by underscoring the troubling, enduring relationship between capitalism and the conditions of industrial labor. The program will consider the worker’s voice and body as embodiments of the physical and political conditions, which remain consistent despite the temporal distance.

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Songs for Hard Working People. Photo: Fisher Body Union Orchestra, General Motors Sit-Down Strikes, Flint, Michigan, 1936

Shore Leaves
Giuditta Vedrame and Paolo Patelli
The project addresses the theme of seafarers’ shore leaves in the ports of Rotterdam and Venice. It consists of video documentation produced during fieldworks to the seafarers organizations in the two harbors, with particular attention on the spaces and gestures of their spatially waiting time.

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Shore Leaves. Image: Giuditta Vendrame, 2015

Renderlands: Installation
Liam Young
Renderlands is a documentary and installation that chronicles the outsourced animation studios and render farms of India. What we think of as western visions of the future are actually produced by workers dispersed across the planet and connected through a global infrastructure of digital labour. For its presentation as part of the program of the Dutch Pavilion, a massive collaborative physical model will visualize the future and aspirational architectures that the Renderfarm workers themselves dream of, the imaginary worlds that they wish they would be asked to visualize.

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Renderlands Film still. Liam Young, 2017

Read more about the selected projects in the jury report on the website of Het Nieuwe Instituut.

On April 26, 2018, Het Nieuwe Instituut and Creative Industries Fund NL will organize an evening with the teams selected through the Open Call, as part of the Thursday Night Live! program at Het Nieuwe Instituut.

pre-announcement Open Call # 3
In February 2018 the Creative Industries Fund NL will launch a third and final call for the Architecture Biennale Venice 2018, aimed at presenting projects at one of the main venues of the Venice Architecture Biennale. This call offers participants a presentation budget for proposals that reflect on and respond to the central theme of FREESPACE.

Photo above: Venice Architecture Biennale by Simone Ferraro

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Grants awarded second round Festivals

14 December 2017

In the second round of 2017, 11 programmes received grants within the Festivals grant programme. These festivals, with locations ranging from Maastricht to The Hague and Eindhoven, receive their contribution for their inspiring programming in the fields of architecture, design or digital culture. The contributions together represent a value of € 284,243 and vary from € 8,000 to € 50,000 per festival.
The advisory committee made the selection on the basis of the quality of the plans and the extent to which the festival occupies a valuable or distinctive position in the existing assortment. Grants were awarded to the programmes that provide form and content in the most appealing way to relevant developments in the fields of architecture, design and digital culture.

The festivals now receiving a contribution are:
Playful Arts Festival: (T)Here & Now, ’s-Hertogenbosch
Festival Multiple Journalism: Innovatieve Storytelling, Amsterdam
Haperende Mens Festival 2018, Rotterdam / Amsterdam
TEC ART Rotterdam 2018
Rewire 2018, The Hague
Tech & Play Kids Festival, Eindhoven
ROBOT LOVE Eindhoven 2018
Tilburg Architectuur Film Festival (TIAFF)
Rotterdamse Dakendagen 2018
Festival Designkwartier, The Hague
Fashion My Religion!, Maastricht

We have singled out a number of the festivals receiving grants below:

Robot Love
From 15 September to 2 December 2018 the festival Robot Love will take place at various locations in Eindhoven. Robot Love focuses on a humanistic approach to technology and examines our relationship with artificial intelligence by asking the question: can we share love with robots?
The committee calls the subject of artificial intelligence relevant and is enthusiastic about the organization's chosen optimistic approach. The committee expects the festival to appeal to a broad public. They also mention strong programming, which involves good makers and allows room for critical debate.
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ROBOT LOVE Eindhoven 2018

De Dakendagen
From 1 to 3 June 2018 the festival De Dakendagen (The Roof Days) takes place in Rotterdam. The festival investigates the possibilities for using roofs and the potential of the roof landscape in Rotterdam to contribute to a future-proof city. Partners are architectural institutions in Rotterdam such as AIR, IABR and ZigZagCity. In addition, De Dakendagen collaborates with others, including social organizations, housing corporations and various commercial companies. The committee calls it a festival that succeeds in opening up an invisible part of the city to a broad public in an accessible way. The committee appreciates the way in which the organization manages to involve the public in spatial developments in a different way.

Haperende Mens
The third festival by the Haperende Mens foundation takes place on 12-13-14 January 2018. Haperende Mens 3 (working title) is a three-day multidisciplinary festival in Rotterdam (V2_ and WORM) and Amsterdam (OCCII) with digital culture (net-art, games, media installations) and music (electronic, noise, industrial, drone, psych, experimental), film, media and installation art, performance, dance and debate. The festival is a search for the possibility to lose yourself in this 'shapeable' society, where almost every moment is illustrated and the highest priority is given to ensuring certainties. Where can the deep, intense experience be found that rises above regulated existence? The committee finds the point of departure, the research questions and the theme of the sacred interesting. The committee is positive about the strongly thematic focus, which adds clear value to the festival.

all grants awarded
Take a look at the other projects receiving grants (Dutch only) within the Festivals grant programme.

new deadline
The closing dates for the Festivals grant programme in 2018 are: 1 February and 9 August. The total budget available for the coming year is more than € 900,000, divided over two rounds.

Photo above: REWIRE, The Hague

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Thirteen projects from Digital Culture programme’s third round receive support

16 November 2017

As with the previous evaluation rounds, the advisory committee of the Grant Programme for Digital Culture had to prioritize the approved projects: the pressure on the budget remains great. The third application round in 2017 yielded more than 40 applications. In general, the 13 projects that were awarded a grant stand out for their markedly experimental and investigative character. In this article we highlight a few projects within this round that are to receive a grant.
start-up grants
This year’s high number of applications for a start-up grant is remarkable. In this round no fewer than 17 were presented to the committee. A start-up grant is often perceived as accessible, because there is no requirement for co-funding and it is useful to test out or elaborate an idea comprehensively prior to setting up a large-scale project. The maximum grant for these applications is €7,500 and they usually lead to a follow-up application within the Digital Culture programme. The challenge when making an application for a start-up grant is to describe the activities for the initial investigative phase properly, and at the same time outline the ultimate goal on the horizon.

The committee awarded six start-up grants in this round, including Snapscan by JODI and 3D-printing Silk by Theti Studio:

Snapscan
In the light of snapshot photography, the Belgian-Dutch artist duo JODI is introducing the ‘Snapscan’ concept, a type of 3D scan that uses an iPad and a 3D scanner to offer everybody the possibility of scanning their surroundings on the spur of the moment. JODI has been awarded a start-up grant for the Snapscan website, where the 3D-scan models are documented and can be combined with the aid of tags. With the start-up grant the duo has the opportunity, among other things, to establish a collaboration with an external 3D programmer. Further information (in Dutch)
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Snapscan - SCA by JODI

3D-printing Silk
In association with designer Olivier van Herpt, Theti Studio is working on the prototype of a 3D printer that manufactures textile directly from the silkworm cocoon, in a chosen form and without waste. With the start-up grant Theti Studio will investigate the existing technology in greater depth, test it for safety, develop the prototype, and present the results to the public and investors. Further information (in Dutch)

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3D Printing Silk by Theti Studio
Project grants

The remaining seven awards within this round were project grants. Within the Grant Programme for Digital Culture, applications can be submitted for research, experimentation, development, production of new media, interaction design and game play, as well as the presentation of such projects. Activities and publications that focus on the analysis of and reflection upon digital culture are also eligible for support, as are projects aimed at (international) knowledge exchange and projects that stimulate public interest in the field.
Felipe Ignacio Noriega’s CodeKlavier project and ‘The Dutch Savannah’ exhibition concept by Stichting De Domijnen were among the projects that received a grant from this application round:

CodeKlavier
Felipe Ignacio Noriega has been awarded a project grant for the realization of CodeKlavier, a project for which he previously received a start-up grant. The CodeKlavier is an operational programming language linked to a keyboard interface, which enables the pianist to code in real time while playing. This results in a music performance combined with live coding. The applicant aims to turn the paradigm of art being created with technology on its head, thus encouraging a more intuitive, artistic manner of coding. Further information (in Dutch)

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CodeKlavier by Robot Theater Electronics

The Dutch Savannah
Stichting De Domijnen culture foundation is receiving a grant for ‘The Dutch Savannah’ transdisciplinary project. An exhibition with work by Sara van der Heide, Femke Herregraven, Ger Dekkers and diverse international makers aims to raise public awareness of the consequences of our daily data use. Water is used as a connecting element between the virtual and physical worlds, thereby symbolizing today’s broader ecological problems and sustainability issues. Further information (in Dutch)

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The Dutch Savannah by Stichting de Domijnen

Thirteen grants awarded
The advisory committee was able to support 13 projects from this round, with which the available budget of €200,000 was used to the full. View the complete overview of grants awarded and descriptions of these supported projects (in Dutch).

2018 deadlines
Four rounds are planned in 2018, with the first deadline falling on 31 January 2018. Read more about how to apply to the Grant Programme for Digital Culture.

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Control Conference 2017

14 November 2017

Creative Industries Fund NL will be present at Control Conference 2017 in Tivoli Vredenburg, Utrecht, on Wednesday, 29 November. During this conference for game developers, which is organized by Control magazine, three designers supported by the fund in 2016 and 2017 will give a presentation: Roel Ezendam, Charlotte Madelon and Matthijs van de Laar.
Roel Ezendam
Roel Ezendam is a co-founder of RageSquid, a recently established game studio where he works as a coder and designer. During his session at Control Conference, Roel will be demonstrating the three design methods that RageSquid has used to create, shape and evolve the design of Descenders. Last year the team received two grants from the Game Fund for this game: one for a preparatory study and one for the further elaboration of the resulting concepts.

Charlotte Madelon
Charlotte Madelon is a game developer and artist. She is currently working on the White Lily project, a mobile entertainment game that uses the anatomy of a flower to examine the consequences of youth traumas. In 2016 Charlotte received a grant from the Game Fund for this project. During the session Charlotte will talk about the design process and the game’s creation in greater depth.

You can read Willemijn de Jonge’s article ‘Spelen met nature & nurture’ – ‘Playing with nature & nurture’ – about the White Lily project by clicking here (Dutch only).

Matthijs van de Laar
Matthijs van de Laar is Creative Director at Twirlbound, a studio he runs together with Marc Peyré. They are currently working on Pine, a game in the action-adventure genre that was supported by the Fund in 2016. During his session Matthijs will talk about how Twirlbound raised more than €120,000 via Kickstarter.

The Game Fund has been integrated into the Grant Programme for Digital Culture since 1 January 2017.
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Still from 'Descenders' by RageSquid
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In the second round of 2017, 11 programmes received grants within the Festivals grant programme. These festivals, with locations ranging from Maastricht to The Hague and Eindhoven, receive their contr... more >
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By means of four different open calls, the Creative Industries Fund NL calls on Dutch designers and cultural organizations to submit a project plan for a project, intervention or process that deploys ... more >
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