creative industries fund nl
dummy
In retrospect: In No Particular Order 2017
innoparticularorderhannekewetzer27.jpg

In retrospect: In No Particular Order 2017

30 October 2017

During Dutch Design Week 2017 (21 until 29 October), Stimuleringsfonds Creatieve Industrie presented for the fourth time an exhibition about Talent Development. In the Van Abbemuseum's Studio the fund received over 5,000 designprofessionals and other interested parties, reflecting on the design practices of designers, architects and artists who received the Talent Development grant last year.
Under the title ‘In No Particular Order’, nine installations made a collective portrait that offers reflection in practical, poetic and critical ways on the multiform contemporary working practices of a young generation of designers. For this edition the fund invited one of the participants of the Talent Development Programme as curator: Jules van den Langenberg. In studio exchanges and various meetings, he and the 32 designers and makers who received a Talent Development grant reflect on the themes: Attitude, Inspiration, Habitat, Representation, Money, Fortune, Language, Discourse and Market.
lonnekevanderpalenstimuleringsfonds19.jpg
Photo: Lonneke van der Palen

All of the 32 participating designers provided input with conceptual as well as physical contributions such as sketches, prototypes and sources of inspiration. Van den Langenberg then invited nine progressive thinkers and makers from the creative industry to produce an installation based on these collections.

Jules van den Langenberg: ‘Instead of showing completed projects or finished products by designers, in the cellar of the Van Abbe Museum we are showing another side of design practice. The exhibition explores the milieu of professional, personal and socio-cultural factors that young creative professionals experience today.’

participant designers and makers
Alissa + Nienke (Alissa van Asseldonk en Nienke Bongers), Amy Suo Wu, Isabelle Andriessen, Paula Arntzen, Atelier Frank Verkade, Marjan van Aubel, Christiaan Bakker, Mariska de Groot, Max Dovey, Ting Gong, Sophie Hardeman, Chrissie Houtkooper, Ruiter Janssen, Elisa van Joolen, Jules van den Langenberg, Yaolan Luo, Mark Minkjan, Simone C. Niquille, Kirstie van Noort, Simone Post, Roomforthoughts (Jennifer Kanary Nikolov(a)), Benjamin Sporken, Amir Avraham, Studio Iwan Pol, Studio RAP (Wessel van Beerendonk, Léon Spikker en Lucas ter Hall), Studio Truly Truly (Joel Booy en Kate Booy), PWR Studio, SulSolSal (Johannes Bernard en Guido Giglio), Thomas Trum, Janna Ullrich, Dieter Vandoren en Giuditta Vendrame.

innoparticularorderhannekewetzer35.jpg
Photo: Hanneke Wetzer

The presentation shows by an anthropological approach beautifully what creative talents have in common and in which their individual choices differ from each other." - Joanna van der Zanden, independent curator and cultural advisor



living archive
The result of the joint work process, In No Particular Order 2017, showed what artistic and professional growth means, as experienced by the 32 designers and makers who received the Talent Development grant last year. As a 'living archive', the exhibition grew during the week: Studio Li Edelkoort - specialized in trend forecasting - studied in the Van Abbemuseum the portfolio's of 32 designers, analyzed their visual language and developed a moodboard for the future. Designer Jurgen Bey, director of the Sandberg Institute, organized discussions during the Dutch Design Week with the participants about the role of the designer. And all participants signed a contract for the collective Bitcoin pension fund created by artists Lernert & Sander on the occasion of the event, with the purpose of making a discussion about real fees for designers.

innoparticularorderhannekewetzer38.jpg
Photo: Hanneke Wetzer

‘In No Particular Order turns upside-down the popular notion of talent as an innate, unevenly divided capacity. Instead, it foregrounds the way that talent is fostered and fomented through structural and social conditions, as well as revealing the financial mechanisms that determine the way in which what we call “talent” is supported on its path to fruition.’ - Tamar Shafrir, design researcher at Het Nieuwe Instituut



in conversation with
The fund received more than 5,000 professionals from the design field in the Studio of the Van Abbemuseum, including designers, policy makers, (international) museum curators, design journalists, teachers and programmers. A total of 230 students from various academies in the Netherlands were given a tour. Each morning a discussion took place between participants, experts and other invited guests on the themes of the exhibition. (Check out the programme here)

in the media
Glamcult wrote an article about In No Particular Order and interviewed participants Amy Suo Wu and Ting Gong about their work practice. Frameweb spoke to Simone Post, Marjan van Aubel, Studio Truly Truly and Paula Arntzen from the Talent Development program, in the context of the exhibition. Read the article here. VPRO made an item at the DDW in which former member of the Advisory Committee Afaina de Jong meets with participants Janna Ullrich and Ruiter Janssen.

innoparticularorderhannekewetzer9.jpg
Photo: Hanneke Wetzer

Nine installations

In the following nine installations In No Particular Order presented a collective statement about contemporary design practice of a young generation of designers:

The Language of Talent

What is the socio-cultural context of the work produced by today’s talent? The Talent Development Grant recipients have all uploaded their existing portfolios of work to a private online forum developed by Marsdiep. For the duration of the exhibition, the material will be studied and integrated into a visual moodboard by an onsite trend forecasting team from Studio Edelkoort, generating a future-driven vision of the designers’ work.

innoparticularorderhannekewetzer39.jpg
Photo: Hanneke Wetzer
The Inspiration of Talent

How does talent motivate itself? Based on books, quotes and extracts that influenced each of the Talent Development Grant recipients’ practice, an analysis of the nature of inspiration has been penned by design curator Brendan Cormier. Titled ‘A Text on Inspiration Inspired by 32 Texts’, the essay deliberately misappropriates random fragments from each text. Do take a copy to fan your thoughts at home.

tweeluikinspirationweb.jpg
Photo: Lonneke van der Palen
The Representation of Talent

Can you tell if someone is talented by what they wear? Clothes communicate all manner of social and cultural codes. Each of the Talent Development Grant recipients contributed an item of clothing to be appropriated by fashion designer Duran Lantink. Using his anthropological approach to fashion, Lantink has produced three collective portraits of how today’s talent represents itself.

innoparticularorderhannekewetzer32.jpg
Photo: Hanneke Wetzer
The Fortune of Talent

Where am I going? If you are looking for answers, you won’t find them here. The answer is in a fortune cookie at the museum café. The ideas and desires of the Talent Development Grant recipients have been rewritten as aspirational messages by designer Yuri Veerman. Himself an alumnus of the programme, Veerman interviewed each of the recipients.

innoparticularorderhannekewetzer24.jpg
Photo: Hanneke Wetzer
The Money of Talent

Does talent translate into wealth and economic security? Creativity is predicted to take on renewed value in the era of machine learning, even if currently many of the Talent Development Grant recipients are still navigating precarious financial conditions. Opening a discussion on new futures and currencies, a collective Bitcoin retirement fund for the recipients has been drawn up by a lawyer on behalf of artists Lernert&Sander.

innoparticularorderhannekewetzer33.jpg
Photo: Hanneke Wetzer
The Attitude of Talent

Does talent have a specific role and responsibility to society? Proposing a scenario in which the Talent Development Grant recipients would have to start a new society, each was asked to pack a single suitcase of things to bring. Director of the Sandberg Instituut, designer Jurgen Bey will be onsite every day to open a few of the suitcases and build a visual dictionary.

innoparticularorderhannekewetzer49.jpg
Photo: Hanneke Wetzer
The Habitat of Talent

Does talent expand and contract according to the space it works in? The Talent Development Grant recipients were asked to submit descriptions and floor plans of their ideal workspace. Previous recipient of the grant, architect Anne Dessing, in collaboration with Loui Meeuwissen, displays an analysis of these contributions on a curtain. Recalling a construction drawing, the curtain’s folds connect drawings to form new hybrid spaces.

innoparticularorderhannekewetzer48.jpg
Photo: Hanneke Wetzer
The Market of Talent

Can we quantify talent? The likely commercial success of each of the Talent Development Grant recipients has been assessed on the objective criteria of practicality for client, accessibility, size of market, medium, and artist profile. Prototypes from each recipient are arranged based on the ranking assigned by Herbert van Litsenburg of The Fine Art Group, an art investment consultancy.

tweeluikmarketweb.jpg
Photo: Lonneke van der Palen
The Discourse of Talent

How does talent reflect on its work and context? Design researcher and artistic director of Het Nieuwe Instituut, Tamar Shafrir and Guus Beumer, moderate daily discussions that take place on chairs from the Talent Development Grant recipients’ studios. Artist Simon Becks has developed a scratch-sensitive floor to record the evolution of the site of discussion over the course of the exhibition. At the end of each daily conversation, participants will construct an installation of the chairs that will be recorded by photographer Lonneke van der Palen. Daily a discussion program took place from 11.00-12.30.

lonnekevanderpalenstimuleringsfonds26.jpg
Photo: Lonneke van der Palen

more news

salonedelmobile2018web.jpg

Selection Open Call Salone del Mobile 2018

8 February 2018

The Open Call Salone del Mobile 2018 is an initiative by the Fund to make it possible for design studios to present themselves during the fair week in Milan. Advisers Marleen Engbersen and Nadine Sterk have made a selection from the 47 proposals. The 11 selected proposals offer quality and diversity, thus satisfying the intention of displaying a wide range of Dutch talent in an international context. The Salone is one of the largest international fairs for furniture and product design and is being held this year from 17 to 22 April.

The selection represents the breadth of the Dutch design sector: when making their selection, the advisors considered the distinctive artistic quality of the work to be shown and the type of presentation, how the presentation in Milan aligns with the development of the designer or the studio and how the presentation fits in with a long-term strategy. The advisors also looked for diversity in the types of projects, presentation spaces and development stage of the design studios. Lastly, they also looked at unique forms of collaboration and group presentations.

Er zijn in totaal 11 voorstellen geselecteerd, van de volgende aanvragers:

Lumière du Nord
Jelle Mastenbroek en Daniel de Bruin
Koos Breen en Boris de Beijer
Stichting Chi Ha Paura...?
Alissa+Nienke
buroBELËN
Truly Truly V.O.F
Crafts Council
Dutch Invertuals B.V.
TIJS GILDE DESIGN STUDIO
VANTOT vof

selection
The selection includes proposals for application-oriented and detailed designs, such as the Minois Smart Minimalist by Lumiére du Nord. The choice has also been made for more experimental work being shown at an earlier stage of development, such as the presentations by Truly Truly, VANTOT vof, Alissa+Nienke, Studio Belén and Tijs Gilde Studio. Jelle Mastenbroek and Daniel de Bruin opted for a more conceptual installation that focuses on the experience with a social message.

The selected platforms Stichting Chi Ha Paura …?, the Crafts Council and Dutch Invertuals provide the designers involved with an excellent opportunity to present themselves in Milan within a unique group presentation. These platforms each work with a distinctive concept that provides new perspectives on Dutch design with a more outspoken and experimental character. Also in line with this idea is the proposal submitted by Koos Breen and Boris de Beijer, a performative presentation from a collective of young designers who want to sound an unconventional note in Milan with a distinctive type of presentation. The collective consists of Thomas Ballouhey, Boris de Beijer, Koos Breen, Reijnald Kolthof and Lonneke van der Palen.

Milan
The advisers note that the presentations in Milan are increasingly about 'the experience'. Not just the work being shown, but also the presentation form should attract attention. For international media coverage, a sophisticated presentation and communications strategy is required and a presentation becomes a goal in itself. The advisers express their criticism of this situation, because it can distract attention from good design and finding production possibilities. On the other hand, they recognize that this is an international development and that the Netherlands is able to stand out in this respect. The tendency also offers opportunities for the Netherlands. So they expect the presentations of the selected platforms in particular to attract a great deal of international attention in Milan.

criteria
The submitted proposals were evaluated according to the criteria in the open call, focusing on proposals that stand out in terms of artistic quality, presentation form and strategy. In addition, the preference was for proposals where special forms of collaboration were entered into or which focused on a group presentation, because that generally works well within the context of the fair week. The advisers assessed the extent to which the proposals had been set up consistently and how well they corresponded with the objectives of this open call and the Programme for Internationalization.

working method
The advisers take the quality of the work to be presented and the portfolio as their starting point. They then looked at the presentation proposal, including the planned location in Milan, in combination with the intended strategy and expectations. The intended strategy is in line with the position of the design studio within the field - for instance starters or designers with an established practice. The evaluation took into account whether the intended strategy corresponded with the objective, for instance reaching international press/media or instead accessing commissioning clients to investigate concrete production possibilities. The nature of the work to be shown is also a decisive factor in achieving the objectives. More application-oriented designs require a different presentation, for example in form and location, than designs and installations that are more conceptual by nature or that focus on ‘the experience’, is the assertion of the advisers.

open call
With the open call, the Fund aims to present the excellent quality of the Dutch design sector and to strengthen the international reputation of the creative industries in the Netherlands.

Photo above: READY, SET, GO!, Koos Breen en Boris de Beijer/Better Known A

ooarchitectuurbiennalevenetie3en.png

Open Call Architecture Biennale Venice #3

2 February 2018

Open Call #3 Presentation budget

Creative Industries Fund NL is calling on designers to submit a proposal for participation in the 16th edition of the Venice Architecture Biennale, which is being held from 26 May to 25 November 2018. This third and last Open Call invites researchers and designers in the field of architecture to submit proposals for the presentation of initiatives and projects that make a meaningful contribution to the programming of one of the main venues, such as the Arsenale, the country pavilions in the Giardini, or another suitable and prominent location in Venice.

Under the title FREESPACE, general curators Yvonne Farrell and Shelley McNamara are utilizing this Biennale to address the relationship between architecture and society. To read the press release about the FREESPACE theme, click here.
conditions
A precondition for this Open Call is a detailed motivation from an inviting party and/or curator. The presentation budget is intended for travel and accommodation expenses as well as transportation and presentation costs for projects with which the applicant makes a meaningful contribution to the exploration of the FREESPACE theme during the Architecture Biennale in Venice. In this way, the Fund is providing support for designers and researchers to participate in activities that are being held during the preview days on 24 and 25 May 2018 or being organized in the context of the Biennale from 26 May to 25 November 2018, such as exhibitions, performances, events, symposia and expert meetings. Applications for the set-up and development of group presentations or group exhibitions are not eligible for support.

A maximum budget of €25,000 is available for this Open Call. The Fund expects to support a minimum of 10 proposals. The grant has a maximum of € 2,500 per proposal.

Projects that receive a grant under the Open Calls Venice Architecture Biennale #1 or #2 are not eligible for the Open Call Venice Architecture Biennale #3 presentation budget.

aims and objectives
With this Open Call, Creative Industries Fund NL aims to showcase the excellent quality of Dutch architecture and urban design at a prominent international event. Grants are awarded within the framework of the Subsidy Regulations and the Grant Programme for Architecture, with which the Fund strives to achieve the following objectives, among others:
• reinforce the social value of architecture from a cultural perspective
• foster quality in architecture
• stimulate interest in architecture in the Netherlands and abroad

applications
The proposal can be submitted up until Thursday 15 March 2018 via the Fund's online application environment. In the pull-down menus select the ‘Open Calls’ option, then the ‘Venice Architecture Biennale #3_Presentation budget’.

Please note: Request your login details for the online application environment in good time and familiarize yourself with the application form. Validation of a new user account can take up to one working day.

Find more information about this Open Call here.

ooarchitectuurbiennalevenice3en.png
littlebabylonweb.jpg

Vouchers awarded 2017

2 February 2018

In 2017 the Creative Industries Fund NL supported 67 proposals within the Voucher procedure for presentations abroad, from the total of 103 applications received. The shortened procedure has made it possible for the Fund to respond more quickly and directly to the work field and has enabled many designers to accept an invitation from abroad. At the same time, the vouchers issued have contributed to the reinforcement of the international positioning, the extension of the field of activity and the visibility of the Dutch Creative Industries.
voucher procedure abroad
Creative Industries Fund NL has a shortened procedure for makers who have been invited by a foreign cultural institution or organization to give a presentation abroad in the near future. This could be participation in an exhibition, manifestation, individual presentation, workshop or lecture, or as a speaker at a conference or symposium. Per voucher a maximum of € 1,500 is awarded for accommodation, travel, transportation and any communication costs. A maximum amount of € 150,000 is available per year for the voucher procedure. During 2017, a total of € 118,789 was applied for and € 92,797 was granted to 67 applicants. The remaining amount is being deployed for the vouchers in 2018 and supplemented to €150,000 from the basic grant programmes.

worldwide distribution
The supported proposals ranged from presentations at festivals and individual exhibitions to participation in conferences, symposia and expert meetings. These took place at 67 unique events and in 30 different countries: the top 4 were the United States, United Kingdom, Russia and South Korea. In short, the interest in the Netherlands Creative Industries is widespread over the whole world. A special effect of the presentations is that several collaborations have led to new invitations and various visits from foreign contacts to parties in the Netherlands.

We have singled out two projects receiving grants below:

Knust in Latin America
The Kulturele Nijmeegse Universele Stichting (KNUST) is the print and Risograph-printing studio of production house Extrapool in Nijmegen. Last spring, KNUST received several invitations from Latin America where there is a great deal of interest in Riso-printmaking. With a voucher, KNUST was able to accept the invitation from Mexican collective Crater Invertido to organize a five-day Riso-printing workshop in Mexico City. They subsequently took part in the Feira Plana festival in São Paulo (Brazil) and a two-day expert meeting organized by the Meli-Melo Press collective. In all these activities, the exchange of knowledge about the working method and the technical and artistic aspects of the printing process played a central role. This resulted in mutual inspiration and further collaborations. For instance, following the example of KNUST, Crater Invertido and Meli-Melo Press would like to set up a residency, make and meeting place and their makers are participating in a residency with KNUST. Because KNUST, with this voucher, managed to respond to growing interest from abroad, combined various events and anticipated a follow-up, the Fund was convinced of a strategic and future-oriented approach. It provides clear added value to KNUST's cultural entrepreneurship and at the same time to the distribution and reinforcing of Dutch knowledge in the field of printing.

007knustrepresentatieveafbeelding.jpg
KNUST in Latin America
Why and how to start a game collective!

For the sixth year, the A MAZE. festival was held between 13 and 16 September 2017 in Johannesburg (South Africa), where international and African game developers, digital artists and activists came together to exchange ideas, skills and knowledge in the fields of independent games and playful media. For these editions, Aran Koning - on behalf of Sokpop Collective, a group of independent Dutch game developers - was invited to give a presentation about setting up a game collective. Aran contends that there is a fast-growing scene of independent game developers in South Africa. He aims to encourage the makers to enter into collaborations and form collectives, and to increase awareness of these makers and the knowledge being developed. Accordingly, Aran formulated clear objectives and urgency for the voucher, where mutual cultural exchange of knowledge between South Africa and the Netherlands takes precedence. Furthermore, this presentation provides added value in connecting Dutch game developers to a wider international network.

aronkoning.jpg
Why and how to start a game collective!

all vouchers awarded
Here you can find a summary of the projects receiving vouchers in 2017.

submission in 2018
For 2018, the application procedure has been slightly amended in order to speed up the process and, in so doing, correspond better with the objectives of the procedure. A personal, motivated invitation, combined with an explanation of the applicant's own vision and approach continues to be an important part of the application and evaluation.

You can submit an application via the Fund's online application environment. Read more about the Voucher procedure here.

Photo above: Little Babylon @ FILE festival, Wave Of Tomorrow

meetups2018enweb.png

Meet-ups Open Calls Internationalization

25 January 2018

From 13 to 16 February the Fund is organizing a series of four meet-ups relating to the open calls that focus on Russia, Turkey, Egypt and Morocco.
During the meet-ups, an expert from the country in question will give a talk to provide inspiration. The aim is to exchange knowledge and experience. It is also possible to ask Fund staff questions about the open calls.

By means of four open calls, the Creative Industries Fund NL invites Dutch designers and cultural organizations to submit a plan for a project, intervention or process that deploys design for sustainable and inclusive urbanization in one of the four countries.

Tuesday 13 February: Meet-up Russia
14.00 - 17.00 (doors open 13.30)
Speaker: Vera Leonova, Associate Dean Higher School of Economics, Moscow
Vera Leonova shares her vision on the role of advocacy planning in urban development in Russia. She describes a number of urban issues, the background to these issues and the effects on communities.

Wednesday 14 February: Meet-up Turkey
14.00 - 17.00 (doors open 13.30)
Speaker: Serhan Ada, associate professor Bilgi University Istanbul
Serhan Ada describes the opportunities for interdisciplinary collaboration in contemporary Turkey. With examples of initiatives by designers, artists' collectives, municipalities and inhabitants in cities such as Istanbul, Izmir and Mardin, he discusses how they influence cultural policy in Turkey and vice versa.

Thursday 15 February: Meet-up Egypt
14.00 - 17.00 (doors open 13.30)
Speaker: May Al-lbrashy, built environment collective – Megawra, Cairo
May Al-lbrashy observes that design as a driver for social development is a growing trend in Egypt. Rapid urbanization is challenging designers to develop strategies and tactics for survival, but also to achieve new forms of collaboration.

Friday 16 February: Meet-up Morocco
10.00 - 13.00 (doors open 09.30)
Speakers: Amina Mourid and Hicham Bouzid, Think Tanger, Tanger
Amina Mourid and Hicham Bouzid provide an introduction to Tanger and the way the city distinguishes itself from other Moroccan cities. They give their vision on how the city can be critically questioned from various perspectives such as design, social design and the bringing together of different parties.

Language: English. Moderator: Mechtild van den Hombergh and Thijs Barendse.

The meet-ups are being held in the HipHopHuis, Delftsestraat 19A (entrance via Delftsehof) in Rotterdam.

registering
You are cordially invited to attend one or more of the meet-ups. Please ensure that we receive your RSVP by e-mail by 9 February at the latest via [email protected] specifying the meet-up you would like to attend and please state your name and organization in your message.
fouropencalls.png

Four Open Calls Internationalization

24 January 2018

By means of four different open calls, the Creative Industries Fund NL calls on Dutch designers and cultural organizations to submit a project plan for a project, intervention or process that deploys design for sustainable and inclusive urbanization in Turkey, Morocco, Egypt or Russia. The plan describes an urbanization question that is related to a social issue, in a specific city or region in one of the four countries, where Dutch and local parties work together on an equal footing.
Until the end of 2020, the Fund will be holding a number of open calls that focus on challenges associated with urbanization in Turkey, Morocco, Egypt or Russia. The projects will deal with how these challenges, in a collaboration between local and Dutch partners, can be addressed in order to achieve more sustainable, inclusive and smart cities. The question of urbanization provides opportunities for improving living conditions, housing, social cohesion and the utilization of technology for social innovation and for redefining cultural heritage. There are possibilities here for the exchange of knowledge and expertise between Dutch designers and cultural organizations that have local partners.

submission
The project plan can be submitted from January 1st until 7 March 2018 via the Creative Industries Fund NL's online application environment.

Find more information about these Open Calls here:
Open Call Turkey #1
Open Call Morocco #1
Open Call Egypt #1
Open Call Russia #1
loader

the fund

grants

latest

salonedelmobile2018web.jpg
The Open Call Salone del Mobile 2018 is an initiative by the Fund to make it possible for design studios to present themselves during the fair week in Milan. Advisers Marleen Engbersen and Nadine Ster... more >
littlebabylonweb.jpg
In 2017 the Creative Industries Fund NL supported 67 proposals within the Voucher procedure for presentations abroad, from the total of 103 applications received. The shortened procedure has made it p... more >
ooarchitectuurbiennalevenetie3en.png
Open Call #3 Presentation budget Creative Industries Fund NL is calling on designers to submit a proposal for participation in the 16th edition of the Venice Architecture Biennale, which is being held... more >
meetups2018enweb.png
From 13 to 16 February the Fund is organizing a series of four meet-ups relating to the open calls that focus on Russia, Turkey, Egypt and Morocco.... more >
rewire.jpg
In the second round of 2017, 11 programmes received grants within the Festivals grant programme. These festivals, with locations ranging from Maastricht to The Hague and Eindhoven, receive their contr... more >
architectuurbiennale2014web.jpg
This fall Het Nieuwe Instituut and Creative Industries Fund NL launched the Open Call Venice Architecture Biennale #1_extended program Dutch Pavilion. The Open Call invited researchers and designers i... more >
fouropencalls.png
By means of four different open calls, the Creative Industries Fund NL calls on Dutch designers and cultural organizations to submit a project plan for a project, intervention or process that deploys ... more >
sluitingsdataen.jpg
The deadlines for Creative Industries Fund NL’s grant programmes in 2018 have been set. In 2018 there are four application rounds for the Grant Programmes for Architecture and Digital Culture. The G... more >
loader
loader
loader