creative industries fund nl
dummy
Grants for Non-fiction Transmedia’s second round
duswatgaanwijdoenweb.jpg

Grants for Non-fiction Transmedia’s second round

18 October 2017

This year’s Grant Programme for Non-fiction Transmedia, which Creative Industries Fund NL organizes in conjunction with the Netherlands Film Fund, has been completed. Here we present the projects that were selected to receive support from this second round. This overview demonstrates how the Grant Programme for Non-fiction Transmedia’s aims and objectives are being embodied via diverse angles of approach.
budget is far from sufficient
Lighthouse Reports is receiving a production grant for the special journalistic project Track & Trace van de Nederlandse Wapenhandel (Track & Trace of the Dutch Arms Trade), which involves collaborating with Bellingcat. The Stichting Tangerine Tree foundation is receiving a production grant for its Dit geloof ik (This is what I believe) project, in which children talk about their faith. The €250,000 budget that the committee had at its disposal was far from sufficient for the evident quality of the 36 proposals submitted. In 2018 there are two application rounds, with deadlines on 13 March and 14 August.

Non-fiction Transmedia continue to evolve
The advisory committee noted that after its first four years the grant programme is still in the throes of development. Whereas three years ago there was an emphasis on the wholly autonomous development of an online environment in which the narrative was cast, the committee notes that projects are now increasingly being devised along the lines of a campaign. Social media are increasingly regarded as the main platform. For many applicants the fragmented presentation of content no longer seems to be a problem.

great diversity
The committee is positive about the diversity of the projects and applicants. Makers who for whatever reasons have often had to sidestep the traditional media can now distinguish themselves with more radical project forms within this scheme. The project #VerlorenJongensZullenWinnen (#LostYoungstersWillWin) by Studio Isaura San provides a great example of this. The same applies for the animated VR production Half a Life by Ado Ato Pictures, which ties in with the eponymous documentary and will be developed further during the IDFA DocLab Academy.

The other projects being supported with a development grant are: Dus wat gaan wij doen? (So what are we going to do?) by Ties Joosten, a campaign that offers an action plan to mitigate climate change at an individual level; Nieuwe Penoze (New Underworld) by Vice Benelux TV; and Binaire Verhalen: Feit is Fictie (Binary Tales: Fact is Fiction) by Juul van der Laan, about a traditional Nigerian philosopher who interprets the world on the basis of a ‘computer system’ that has been used to store wisdom since as far back as 500 BC.

overview
Seven of the 36 proposals submitted for this recent application round of the Grant Programme for Non-fiction Transmedia are to receive a grant. Five parties are receiving a development grant of up to €25,000.

2018 deadlines
2018 deadlines: 13 March & 14 August
tracktracevandenederlandsewapenhandelweb.jpg

more news

btwvraagweb.jpg

Practical tips for your grant application

11 January 2018

The Fund receives a wide variety of questions about submitting an application. Noteworthy are the questions about subsidy and VAT. Ayse Tüzen, who works as a senior member of staff in business operations, tells you more about VAT liability and the approaching deadlines for 2018.
We are often asked questions about whether it's necessary to pay VAT if you receive subsidy. Is that the case?
Ayse: ‘Sometimes VAT does have to be paid if you receive subsidy. If you outsource activities, for example, you do need to pay VAT on these amounts. So when you are drawing up your budget, do take VAT liability into consideration for each item in your budget. That can vary per item.’

Should an applicant draw up the budget including or excluding VAT?
Ayse: ‘Make a distinction in your budget between items where VAT does or does not need to be paid. Any assignments abroad are often exempt from VAT, but it differs per country. If in any doubt, always check first with your regional tax office.
The subsidy you receive is the maximum amount you are eligible for. So you are not eligible for a higher subsidy amount in the event of VAT settlements turning out worse than budgeted for.’

deadlines 2018
The next closing dates in 2018 per programme are as follows:
Grant Programme for Architecture: 31 January
Grant Programme for Design: 21 March
Grant Programme for Digital Culture: 31 January
Grant Programme for Internationalization: 7 February
Grant Programme for Talent Development: 28 February
Grant Programme for Non-fiction Transmedia: 13 March
Grant Programme for Festivals: 1 February
Grant Programme for Activities Programmes: 17 October
Grant Programme for Multi-year Programmes: 11 April

You will find the complete overview of closing dates here. Besides the grant programmes, various Open Calls are being made in 2018. Keep an eye on our newsletter and social media for details.

advice for submitting applications
You apply for subsidy via the online application environment. Request your login details in good time and familiarize yourself with the online application form. You can submit the online application form up until 23:59 on the closing date. We strongly advise you to do this earlier.

frequently asked questions
Do you have any other questions? Take a look at the extensive overview with the most frequently asked questions.

Is your question not answered there? Call +31(0)10 436 16 00 or send an e-mail to Hedwig Homoet or Myrthe Kramer via [email protected].
fouropencalls.png

Four Open Calls Internationalization

14 December 2017

By means of four different open calls, the Creative Industries Fund NL calls on Dutch designers and cultural organizations to submit a project plan for a project, intervention or process that deploys design for sustainable and inclusive urbanization in Turkey, Morocco, Egypt or Russia. The plan describes an urbanization question that is related to a social issue, in a specific city or region in one of the four countries, where Dutch and local parties work together on an equal footing.
Until the end of 2020, the Fund will be holding a number of open calls that focus on challenges associated with urbanization in Turkey, Morocco, Egypt or Russia. The projects will deal with how these challenges, in a collaboration between local and Dutch partners, can be addressed in order to achieve more sustainable, inclusive and smart cities. The question of urbanization provides opportunities for improving living conditions, housing, social cohesion and the utilization of technology for social innovation and for redefining cultural heritage. There are possibilities here for the exchange of knowledge and expertise between Dutch designers and cultural organizations that have local partners.

submission
The project plan can be submitted from January 1st until 7 March 2018 via the Creative Industries Fund NL's online application environment.

Find more information about these Open Calls here:
Open Call Turkey #1
Open Call Morocco #1
Open Call Egypt #1
Open Call Russia #1
architectuurbiennale2014web.jpg

Results Open Call Venice Architecture Biennale

14 December 2017

This fall Het Nieuwe Instituut and Creative Industries Fund NL launched the Open Call Venice Architecture Biennale #1_extended program Dutch Pavilion. The Open Call invited researchers and designers in the field of architecture to submit projects for the extended program of the Dutch Pavilion at the Venice Architecture Biennale in 2018, in response to the theme WORK, BODY, LEISURE, commissioned by Het Nieuwe Instituut. The committee awarded five proposals.
A total of 52 eligible proposals were received from 12 countries: Austria, Canada, France, Germany, Greece, Italy, The Netherlands, Russia, Spain, Sweden, United Kingdom and the United States.

The proposals were reviewed by external advisors Willem Schinkel (Professor in Social Theory, Erasmus University), Lara Schrijver (Professor in Architecture, University of Antwerp) and Aslı Çiçek (Interior Architect, KU Leuven Faculty of Architecture, Oase).

Overall, the external advisors were impressed by the quality, relevance and creativity of the projects, as well as the expertise and ambition of the applicants. The set of applications showed a variety of working methodologies and media, ranging from mobile installations, performances, and product designs, to physical models, workshops, and films. Most projects articulated a collective ambition and proposed collaborations with networks of institutions and practitioners.

The selected projects provide a unique focus on one or more of the embodied, ethical, and spatial dimensions of labor, by deploying diverse but complementary strategies and tools for public engagement. In conversation with the curator of Het Nieuwe Instituut, Marina Otero Verzier, these five selected projects will be presented as part of the public program, in Venice and other locations:

The Port and the Fall of Icarus
Northscapes (Hamed Koshravi, Taneha K. Bacchin, Filippo laFleur)
The Northscapes' proposal would take the discovered manuscript titled “The Port and the Fall of Icarus” as the point of departure to search for possible scenarios for the future of the Rotterdam Harbour. An installation would set the ground for series of events and discussions around the topic of a smart and intelligent port and its relation to the vision of the Rotterdam Harbour, the city and its inhabitants. Such events will be organized throughout the period of the biennale in collaboration with the academic institutions.
thefalloficarus17thcenturymuseeantoinevi.jpg
The Fall of Icarus, 17th century, Musée Antoine Vivenel

The Institute of Patent Infringement
Matthew Stewart and Jane Chew
The satirical Institute of Patent Infringement (IoPI) aims to dissect the dubious world of intellectual property rights that allows ‘Big Tech’ a monopoly on ideas concerning automation. Taking Amazon as a leading example, IoPI will detail and organise the thousands of patents they’ve filed since 2010, ranging in scale from the body to the 1km2 fulfilment centre. IoPI will initiate an open call to subvert these patents exhibiting the results as part of the Dutch Pavillion’s theme, WORK, BODY, LEISURE.

05reimaginedpatentcollectivedataownershi.jpg
Reimagined patent for the collective ownership of data and housing based around a multi-storey data centre unit. Image: Jane Chew & Matthew Stewart, 2017

Songs for Hard Working People
Noam Toran
Songs for Hard Working People proposes a program of musical concerts and performances taking place in and around the Dutch Pavilion during the biennale period. The program provides a historical mooring to the pavilion’s theme and to the nature of labor in the 21st century, by underscoring the troubling, enduring relationship between capitalism and the conditions of industrial labor. The program will consider the worker’s voice and body as embodiments of the physical and political conditions, which remain consistent despite the temporal distance.

fisherbodyunionorchestrageneralmotorssit.jpg
Songs for Hard Working People. Photo: Fisher Body Union Orchestra, General Motors Sit-Down Strikes, Flint, Michigan, 1936

Shore Leaves
Giuditta Vedrame and Paolo Patelli
The project addresses the theme of seafarers’ shore leaves in the ports of Rotterdam and Venice. It consists of video documentation produced during fieldworks to the seafarers organizations in the two harbors, with particular attention on the spaces and gestures of their spatially waiting time.

shoreleavesguidittavendrame2015web.jpg
Shore Leaves. Image: Giuditta Vendrame, 2015

Renderlands: Installation
Liam Young
Renderlands is a documentary and installation that chronicles the outsourced animation studios and render farms of India. What we think of as western visions of the future are actually produced by workers dispersed across the planet and connected through a global infrastructure of digital labour. For its presentation as part of the program of the Dutch Pavilion, a massive collaborative physical model will visualize the future and aspirational architectures that the Renderfarm workers themselves dream of, the imaginary worlds that they wish they would be asked to visualize.

renderlandsfilmstillweb.png
Renderlands Film still. Liam Young, 2017

Read more about the selected projects in the jury report on the website of Het Nieuwe Instituut.

On April 26, 2018, Het Nieuwe Instituut and Creative Industries Fund NL will organize an evening with the teams selected through the Open Call, as part of the Thursday Night Live! program at Het Nieuwe Instituut.

pre-announcement Open Call # 3
In February 2018 the Creative Industries Fund NL will launch a third and final call for the Architecture Biennale Venice 2018, aimed at presenting projects at one of the main venues of the Venice Architecture Biennale. This call offers participants a presentation budget for proposals that reflect on and respond to the central theme of FREESPACE.

Photo above: Venice Architecture Biennale by Simone Ferraro

rewire.jpg

Grants awarded second round Festivals

13 December 2017

In the second round of 2017, 11 programmes received grants within the Festivals grant programme. These festivals, with locations ranging from Maastricht to The Hague and Eindhoven, receive their contribution for their inspiring programming in the fields of architecture, design or digital culture. The contributions together represent a value of € 284,243 and vary from € 8,000 to € 50,000 per festival.
The advisory committee made the selection on the basis of the quality of the plans and the extent to which the festival occupies a valuable or distinctive position in the existing assortment. Grants were awarded to the programmes that provide form and content in the most appealing way to relevant developments in the fields of architecture, design and digital culture.

The festivals now receiving a contribution are:
Playful Arts Festival: (T)Here & Now, ’s-Hertogenbosch
Festival Multiple Journalism: Innovatieve Storytelling, Amsterdam
Haperende Mens Festival 2018, Rotterdam / Amsterdam
TEC ART Rotterdam 2018
Rewire 2018, The Hague
Tech & Play Kids Festival, Eindhoven
ROBOT LOVE Eindhoven 2018
Tilburg Architectuur Film Festival (TIAFF)
Rotterdamse Dakendagen 2018
Festival Designkwartier, The Hague
Fashion My Religion!, Maastricht

We have singled out a number of the festivals receiving grants below:

Robot Love
From 15 September to 2 December 2018 the festival Robot Love will take place at various locations in Eindhoven. Robot Love focuses on a humanistic approach to technology and examines our relationship with artificial intelligence by asking the question: can we share love with robots?
The committee calls the subject of artificial intelligence relevant and is enthusiastic about the organization's chosen optimistic approach. The committee expects the festival to appeal to a broad public. They also mention strong programming, which involves good makers and allows room for critical debate.
robotlove.jpg
ROBOT LOVE Eindhoven 2018

De Dakendagen
From 1 to 3 June 2018 the festival De Dakendagen (The Roof Days) takes place in Rotterdam. The festival investigates the possibilities for using roofs and the potential of the roof landscape in Rotterdam to contribute to a future-proof city. Partners are architectural institutions in Rotterdam such as AIR, IABR and ZigZagCity. In addition, De Dakendagen collaborates with others, including social organizations, housing corporations and various commercial companies. The committee calls it a festival that succeeds in opening up an invisible part of the city to a broad public in an accessible way. The committee appreciates the way in which the organization manages to involve the public in spatial developments in a different way.

Haperende Mens
The third festival by the Haperende Mens foundation takes place on 12-13-14 January 2018. Haperende Mens 3 (working title) is a three-day multidisciplinary festival in Rotterdam (V2_ and WORM) and Amsterdam (OCCII) with digital culture (net-art, games, media installations) and music (electronic, noise, industrial, drone, psych, experimental), film, media and installation art, performance, dance and debate. The festival is a search for the possibility to lose yourself in this 'shapeable' society, where almost every moment is illustrated and the highest priority is given to ensuring certainties. Where can the deep, intense experience be found that rises above regulated existence? The committee finds the point of departure, the research questions and the theme of the sacred interesting. The committee is positive about the strongly thematic focus, which adds clear value to the festival.

all grants awarded
Take a look at the other projects receiving grants (Dutch only) within the Festivals grant programme.

new deadline
The closing dates for the Festivals grant programme in 2018 are: 1 February and 9 August. The total budget available for the coming year is more than € 900,000, divided over two rounds.

Photo above: REWIRE, The Hague

thedutchsavannahweb.jpg

Thirteen projects from Digital Culture programme’s third round receive support

16 November 2017

As with the previous evaluation rounds, the advisory committee of the Grant Programme for Digital Culture had to prioritize the approved projects: the pressure on the budget remains great. The third application round in 2017 yielded more than 40 applications. In general, the 13 projects that were awarded a grant stand out for their markedly experimental and investigative character. In this article we highlight a few projects within this round that are to receive a grant.
start-up grants
This year’s high number of applications for a start-up grant is remarkable. In this round no fewer than 17 were presented to the committee. A start-up grant is often perceived as accessible, because there is no requirement for co-funding and it is useful to test out or elaborate an idea comprehensively prior to setting up a large-scale project. The maximum grant for these applications is €7,500 and they usually lead to a follow-up application within the Digital Culture programme. The challenge when making an application for a start-up grant is to describe the activities for the initial investigative phase properly, and at the same time outline the ultimate goal on the horizon.

The committee awarded six start-up grants in this round, including Snapscan by JODI and 3D-printing Silk by Theti Studio:

Snapscan
In the light of snapshot photography, the Belgian-Dutch artist duo JODI is introducing the ‘Snapscan’ concept, a type of 3D scan that uses an iPad and a 3D scanner to offer everybody the possibility of scanning their surroundings on the spur of the moment. JODI has been awarded a start-up grant for the Snapscan website, where the 3D-scan models are documented and can be combined with the aid of tags. With the start-up grant the duo has the opportunity, among other things, to establish a collaboration with an external 3D programmer. Further information (in Dutch)
snapscan.jpg
Snapscan - SCA by JODI

3D-printing Silk
In association with designer Olivier van Herpt, Theti Studio is working on the prototype of a 3D printer that manufactures textile directly from the silkworm cocoon, in a chosen form and without waste. With the start-up grant Theti Studio will investigate the existing technology in greater depth, test it for safety, develop the prototype, and present the results to the public and investors. Further information (in Dutch)

thetivanherpt3dprintingsilk.jpg
3D Printing Silk by Theti Studio
Project grants

The remaining seven awards within this round were project grants. Within the Grant Programme for Digital Culture, applications can be submitted for research, experimentation, development, production of new media, interaction design and game play, as well as the presentation of such projects. Activities and publications that focus on the analysis of and reflection upon digital culture are also eligible for support, as are projects aimed at (international) knowledge exchange and projects that stimulate public interest in the field.
Felipe Ignacio Noriega’s CodeKlavier project and ‘The Dutch Savannah’ exhibition concept by Stichting De Domijnen were among the projects that received a grant from this application round:

CodeKlavier
Felipe Ignacio Noriega has been awarded a project grant for the realization of CodeKlavier, a project for which he previously received a start-up grant. The CodeKlavier is an operational programming language linked to a keyboard interface, which enables the pianist to code in real time while playing. This results in a music performance combined with live coding. The applicant aims to turn the paradigm of art being created with technology on its head, thus encouraging a more intuitive, artistic manner of coding. Further information (in Dutch)

codeklavier.jpg
CodeKlavier by Robot Theater Electronics

The Dutch Savannah
Stichting De Domijnen culture foundation is receiving a grant for ‘The Dutch Savannah’ transdisciplinary project. An exhibition with work by Sara van der Heide, Femke Herregraven, Ger Dekkers and diverse international makers aims to raise public awareness of the consequences of our daily data use. Water is used as a connecting element between the virtual and physical worlds, thereby symbolizing today’s broader ecological problems and sustainability issues. Further information (in Dutch)

thedutchsavannah.jpg
The Dutch Savannah by Stichting de Domijnen

Thirteen grants awarded
The advisory committee was able to support 13 projects from this round, with which the available budget of €200,000 was used to the full. View the complete overview of grants awarded and descriptions of these supported projects (in Dutch).

2018 deadlines
Four rounds are planned in 2018, with the first deadline falling on 31 January 2018. Read more about how to apply to the Grant Programme for Digital Culture.

loader

the fund

grants

latest

btwvraagweb.jpg
The Fund receives a wide variety of questions about submitting an application. Noteworthy are the questions about subsidy and VAT. Ayse Tüzen, who works as a senior member of staff in business operat... more >
rewire.jpg
In the second round of 2017, 11 programmes received grants within the Festivals grant programme. These festivals, with locations ranging from Maastricht to The Hague and Eindhoven, receive their contr... more >
architectuurbiennale2014web.jpg
This fall Het Nieuwe Instituut and Creative Industries Fund NL launched the Open Call Venice Architecture Biennale #1_extended program Dutch Pavilion. The Open Call invited researchers and designers i... more >
fouropencalls.png
By means of four different open calls, the Creative Industries Fund NL calls on Dutch designers and cultural organizations to submit a project plan for a project, intervention or process that deploys ... more >
sluitingsdataen.jpg
The deadlines for Creative Industries Fund NL’s grant programmes in 2018 have been set. In 2018 there are four application rounds for the Grant Programmes for Architecture and Digital Culture. The G... more >
loader
loader
loader