The Institute of Patent Infringement
Matthew Stewart and Jane Chew
The satirical Institute of Patent Infringement (IoPI) aims to dissect the dubious world of intellectual property rights that allows ‘Big Tech’ a monopoly on ideas concerning automation. Taking Amazon as a leading example, IoPI will detail and organise the thousands of patents they’ve filed since 2010, ranging in scale from the body to the 1km2 fulfilment centre. IoPI will initiate an open call to subvert these patents exhibiting the results as part of the Dutch Pavillion’s theme, WORK, BODY, LEISURE.
Songs for Hard Working People
Songs for Hard Working People proposes a program of musical concerts and performances taking place in and around the Dutch Pavilion during the biennale period. The program provides a historical mooring to the pavilion’s theme and to the nature of labor in the 21st century, by underscoring the troubling, enduring relationship between capitalism and the conditions of industrial labor. The program will consider the worker’s voice and body as embodiments of the physical and political conditions, which remain consistent despite the temporal distance.
Giuditta Vedrame and Paolo Patelli
The project addresses the theme of seafarers’ shore leaves in the ports of Rotterdam and Venice. It consists of video documentation produced during fieldworks to the seafarers organizations in the two harbors, with particular attention on the spaces and gestures of their spatially waiting time.
Renderlands is a documentary and installation that chronicles the outsourced animation studios and render farms of India. What we think of as western visions of the future are actually produced by workers dispersed across the planet and connected through a global infrastructure of digital labour. For its presentation as part of the program of the Dutch Pavilion, a massive collaborative physical model will visualize the future and aspirational architectures that the Renderfarm workers themselves dream of, the imaginary worlds that they wish they would be asked to visualize.
Read more about the selected projects in the jury report on the website of Het Nieuwe Instituut.
On April 26, 2018, Het Nieuwe Instituut and Creative Industries Fund NL will organize an evening with the teams selected through the Open Call, as part of the Thursday Night Live! program at Het Nieuwe Instituut.
pre-announcement Open Call # 3
In February 2018 the Creative Industries Fund NL will launch a third and final call for the Architecture Biennale Venice 2018, aimed at presenting projects at one of the main venues of the Venice Architecture Biennale. This call offers participants a presentation budget for proposals that reflect on and respond to the central theme of FREESPACE.
Photo above: Venice Architecture Biennale by Simone Ferraro
The festivals now receiving a contribution are:
From 1 to 3 June 2018 the festival De Dakendagen (The Roof Days) takes place in Rotterdam. The festival investigates the possibilities for using roofs and the potential of the roof landscape in Rotterdam to contribute to a future-proof city. Partners are architectural institutions in Rotterdam such as AIR, IABR and ZigZagCity. In addition, De Dakendagen collaborates with others, including social organizations, housing corporations and various commercial companies. The committee calls it a festival that succeeds in opening up an invisible part of the city to a broad public in an accessible way. The committee appreciates the way in which the organization manages to involve the public in spatial developments in a different way.
The third festival by the Haperende Mens foundation takes place on 12-13-14 January 2018. Haperende Mens 3 (working title) is a three-day multidisciplinary festival in Rotterdam (V2_ and WORM) and Amsterdam (OCCII) with digital culture (net-art, games, media installations) and music (electronic, noise, industrial, drone, psych, experimental), film, media and installation art, performance, dance and debate. The festival is a search for the possibility to lose yourself in this 'shapeable' society, where almost every moment is illustrated and the highest priority is given to ensuring certainties. Where can the deep, intense experience be found that rises above regulated existence? The committee finds the point of departure, the research questions and the theme of the sacred interesting. The committee is positive about the strongly thematic focus, which adds clear value to the festival.
all grants awarded
Take a look at the other projects receiving grants (Dutch only) within the Festivals grant programme.
The closing dates for the Festivals grant programme in 2018 are: 1 February and 9 August. The total budget available for the coming year is more than € 900,000, divided over two rounds.
Photo above: REWIRE, The Hague
In association with designer Olivier van Herpt, Theti Studio is working on the prototype of a 3D printer that manufactures textile directly from the silkworm cocoon, in a chosen form and without waste. With the start-up grant Theti Studio will investigate the existing technology in greater depth, test it for safety, develop the prototype, and present the results to the public and investors. Further information (in Dutch)
The remaining seven awards within this round were project grants. Within the Grant Programme for Digital Culture, applications can be submitted for research, experimentation, development, production of new media, interaction design and game play, as well as the presentation of such projects. Activities and publications that focus on the analysis of and reflection upon digital culture are also eligible for support, as are projects aimed at (international) knowledge exchange and projects that stimulate public interest in the field.
Felipe Ignacio Noriega’s CodeKlavier project and ‘The Dutch Savannah’ exhibition concept by Stichting De Domijnen were among the projects that received a grant from this application round:
Felipe Ignacio Noriega has been awarded a project grant for the realization of CodeKlavier, a project for which he previously received a start-up grant. The CodeKlavier is an operational programming language linked to a keyboard interface, which enables the pianist to code in real time while playing. This results in a music performance combined with live coding. The applicant aims to turn the paradigm of art being created with technology on its head, thus encouraging a more intuitive, artistic manner of coding. Further information (in Dutch)
The Dutch Savannah
Stichting De Domijnen culture foundation is receiving a grant for ‘The Dutch Savannah’ transdisciplinary project. An exhibition with work by Sara van der Heide, Femke Herregraven, Ger Dekkers and diverse international makers aims to raise public awareness of the consequences of our daily data use. Water is used as a connecting element between the virtual and physical worlds, thereby symbolizing today’s broader ecological problems and sustainability issues. Further information (in Dutch)
Thirteen grants awarded
The advisory committee was able to support 13 projects from this round, with which the available budget of €200,000 was used to the full. View the complete overview of grants awarded and descriptions of these supported projects (in Dutch).
Four rounds are planned in 2018, with the first deadline falling on 31 January 2018. Read more about how to apply to the Grant Programme for Digital Culture.